Brad Kahlhamer at Garth Greenan Gallery

Human or animal, alive, dead or in spirit form, the most haunting and memorable aspect of Brad Kahlhamer’s current solo show at Garth Greenan Gallery are the many faces that populate his graphically strong paintings.  In this untitled canvas, several heads have hair that extends down and out like roots, joining stylized figures and a modified dream catcher to create connections across space and between characters.  This half-human, half raptor individual appears tranquil but the figures around her suggest intense inner life.  (On view in Chelsea through June 18th).

Brad Kahlhamer, detail from Untitled, mixed media on canvas, 104 ¾ x 138 inches.
Brad Kahlhamer, Untitled, mixed media on canvas, 104 ¾ x 138 inches.

Alison Elizabeth Taylor at James Cohan Gallery

Alison Elizabeth Taylor creates new natural wonders at James Cohan Gallery with her latest solo show of 2-D artworks crafted in a blend of marquetry, paint and photographic media.  Here, an affectionate couple in the Covid era have beautifully rendered hair – composed of various types of wood veneer – and a bandana that amazingly manages to be believable as both cloth and wood grain.  (On view in Tribeca through Oct 23rd.  Masks and social distancing required.)

Alison Elizabeth Taylor, Kiss, marquetry hybrid, 31 x 24 inches, 2021.

Stephanie Temma Hier in ‘North by Northeast’ at Kasmin Gallery

The unlikely combination of a snake and carrots and the media of painting and ceramics in Stephanie Temma Hier’s sculpture/painting at Kasmin Gallery both attracts and puzzles.  Hier’s diverse combinations of imagery have included ceramic greyhounds with painted blueberries and sculptural lips enclosing a 2-D image of tulips; generally her juxtapositions prompt consideration of how the natural world has been mediated by human consumption.  Titled ‘At the Root of the Curve,’ this painting links root vegetables to sinuous forms via algebra terminology.  (On view in Chelsea through Aug 13th).

Stephanie Temma Hier, At the Root of the Curve, oil on linen with glazed stoneware sculpture, 67 x 57 inches, 2021.

Brendan Lee Satish Tang in ‘Earthen Delights’ at C24 Gallery

Canadian artist Brendan Lee Satish Tang’s blend of traditional-looking ceramics and robot-like forms at C24 are unlike anything in the Chelsea galleries now. Inspired by both ormolu, a technique popular in 18th century France that involved adding decorative elements to existing art objects, as well as manga/anime culture, Tang grafts ceramic elements onto bases that look like engines, rockets or robots.  His curious hybrids crash together different times and histories to humorous and intriguing effect.  (On view through July 17th.  Masks and social distancing required).

Brendan Lee Satish Tang, Manga Ormolu 4.0r, ceramic and mixed media, 16 x 20 x 13 inches, 2013.

Miguel Cardenas in ‘Best in Show’ at Jack Hanley Gallery

Known for his surreal canvases, Columbian artist Miguel Cardenas adds a mysterious element to Jack Hanley Gallery’s current dog-themed group exhibition.  At just under 1’ x 1,’ this small panel painting has a strong presence with its bold blue background and a hybrid man/dog creature’s penetrating eyes.  The title, ‘Heart of a Dog,’ suggests a human following animal passions.  (On view through June 12th Masks and social distancing required.)

Miguel Cardenas, Heart of a Dog, oil on panel, 11.8 x 11.8 inches, 2017.