Brendan Lee Satish Tang in ‘Earthen Delights’ at C24 Gallery

Canadian artist Brendan Lee Satish Tang’s blend of traditional-looking ceramics and robot-like forms at C24 are unlike anything in the Chelsea galleries now. Inspired by both ormolu, a technique popular in 18th century France that involved adding decorative elements to existing art objects, as well as manga/anime culture, Tang grafts ceramic elements onto bases that look like engines, rockets or robots.  His curious hybrids crash together different times and histories to humorous and intriguing effect.  (On view through July 17th.  Masks and social distancing required).

Brendan Lee Satish Tang, Manga Ormolu 4.0r, ceramic and mixed media, 16 x 20 x 13 inches, 2013.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)