Cynthia Daignault at Kasmin Gallery

Visiting Gettysburg National Military Park can amount to moving from one memorial to another, but Cynthia Daignault’s new series of paintings at Kasmin Gallery, inspired by the Civil War battlefield, focus not on the built environment but the natural world.  Called ‘a rumination on the meaning of site and time’ by the gallery, Daignault’s work features ‘witness trees,’ which were alive in the 1860s and are still in place today.  Surrounded by graves, the trees operate outside of a human timeframe and offer an alternative perspective on historic events.  Painting titles include terms like ‘synecdoche’ or ‘chiaroscuro,’ suggesting that parts of an image can tell a larger story or that events exist in shades of light and dark.  Here, ‘Gettysburg (Stereoscopic)’ nods to the popular 19th century photographic technique that creates depth by presenting two near identical images side-by-side.  (On view through Jan 8th. Note holiday hours and closures.)

Cynthia Daignault, Gettysburg (Stereoscopic), oil on linen, 30 x 60 inches, 2021.

Stephanie Temma Hier in ‘North by Northeast’ at Kasmin Gallery

The unlikely combination of a snake and carrots and the media of painting and ceramics in Stephanie Temma Hier’s sculpture/painting at Kasmin Gallery both attracts and puzzles.  Hier’s diverse combinations of imagery have included ceramic greyhounds with painted blueberries and sculptural lips enclosing a 2-D image of tulips; generally her juxtapositions prompt consideration of how the natural world has been mediated by human consumption.  Titled ‘At the Root of the Curve,’ this painting links root vegetables to sinuous forms via algebra terminology.  (On view in Chelsea through Aug 13th).

Stephanie Temma Hier, At the Root of the Curve, oil on linen with glazed stoneware sculpture, 67 x 57 inches, 2021.

Stuart Davis in Havana at Kasmin Gallery

While recovering from the Spanish flu in 1920, iconic American modernist painter Stuart Davis made a short trip to Cuba, recording its people and places in a series of alluring watercolors now on view at Chelsea’s Kasmin Gallery.  Often pictured in silhouette, Davis’ figures appear to be glimpsed in passing.  Suffused with light-infused, warm tones, the paintings evidence the intrigue of an unfamiliar environment.  (On view through Aug 13th.)

Stuart Davis, La Casa Rosa, watercolor on paper, 24 7/8 x 19 inches, 1920.

Jane Freilicher at Kasmin Gallery

Brilliant yellow flowers dematerialize in the hazy afternoon light in Jane Freilicher’s vibrant still life from 1967, now on view at Kasmin Gallery in Chelsea.  Fifteen paintings from the ‘50s to the ‘00s, demonstrate an “…air of just coming into being, of tentativeness that is the lifeblood of art,” as John Ashberry, Freilicher’s long-time friend, put it.  (On view through March 13th).

Jane Freilcher, Goldenrod and Landscape, oil on canvas, 40 x 60 inches, 1967.