Sharon Core at Yancey Richardson Gallery

From a pastry case featuring a banana split crafted from burlap, plaster and paint to a monumental canvas hamburger, Claes Oldenburg’s sculpted foodstuffs are familiar favorite foods made alarming through their size and materials.   Photographer Sharon Core explores the attraction and repulsion of Oldenburg’s ‘60s classics (including the burger and ice cream) to great effect in her show at Chelsea’s Yancey Richardson Gallery by hand-crafting and photographing a selection of Oldenburg dishes using real food.  In contrast to perfectly-presented delectables commonly featured on social media, Core’s edible recreations of Oldenburg’s artworks initially attract, then repulse, questioning just what we want from food these days.  (On view through July 3rd).

Sharon Core, USA Flag, Fragment, archival pigment print, 40 x 50 7/8 inches, 2019.

Quayola at Bitforms Gallery

Italian artist Quayola revisits the subject of Laocoon, the ill-fated Trojan priest in ancient Greek mythology, in an arresting sculpture that combines a digital, geometric rendering of the priest’s head with a realistic representation. Coated in oxidized iron powder, the sculpture appears both aged and new. (At Bitforms Gallery on the Lower East Side through April 9th).

Quayola, Laocoon Fragment G_003.V, iron, epoxy, fiberglass, 14.1 x 12.7 x 12 inches, 2016.

Conor Backman at James Fuentes Gallery

Wall mounted sculptures made of cast marble dust by Hudson, NY artist Conor Backman at James Fuentes Gallery feature faux-lichen, suggesting salvaged architectural fragments with hints of possible historical significance. (On the Lower East Side through July 24th).

Conor Backman, installation view at James Fuentes Gallery, July 2015 (foreground: Monday and Sunday, marble dust, resin, cast aquaresin, 2015).

Fran Siegel at Lesley Heller Workspace

Fran Siegel’s monumental aerial view of Los Angeles defies standard views of the city that emphasize the grid, instead glorying in the expansive notion of the place as a fragmented network of systems and communities.  (At Lesley Heller Workspace on the Lower East Side through December 1st.)  

Fran Siegel, installation view of ‘Overland 16,’ cyanotype, ink, pencil and pigment on cut paper, 96” x 140,” 2013.