Tag: resin

Helen Pashgian at Lehmann Maupin Gallery

Visitors to Light and Space artist Helen Pashgian’s show of new work at Chelsea’s Lehmann Maupin Gallery are invited to sit on benches to appreciate disk-shaped sculptures that appear to hover over pedestals in the gallery, while other pieces require movement to be appreciated. The second scenario applies with this untitled cast epoxy with formed acrylic sphere, which reveals or conceals bands of color as the visitor moves before it.  Designed to reveal how perception of a single object or phenomenon can shift, Pashgian’s invites viewers to delight in the nuances of seeing.  (On view through Jan 8th).

Helen Pashgian, Untitled, cast epoxy with formed acrylic elements, 7 inches diameter, 2020.

Leo Amino at David Zwirner Gallery

Underappreciated despite showing at the Met and MoMA, the career of late 20th century cast resin pioneer and direct carving innovator Leo Amino is attracting new attention thanks to a handsome show at David Zwirner Gallery.  Fascinating as translucent objects, alluring for their bold colors, Amino’s block-like resin sculptures are a draw, along with a bird-like form crafted in wood and encased in resin and totemic carved wood forms.   (On view on 20th Street in Chelsea by appointment).

Leo Amino, Refractional #85, polyester resin, 13 x 13 x 13 inches, 1972.

Rachel Owens at ZieherSmith

The oldest and tallest tree in New York inspired Rachel Owens’ installation ‘Mother,’ for which she visited a Queens park to take casts of a c. 400 year old plant that may pre-date European settlement. Recreated in broken glass cast in resin, Owens marshals the vibrant colors of man-made materials to celebrate a remarkable survivor. (On view at Zieher Smith in Chelsea through April 15th).

Rachel Owens, installation view, Mother, 2017.

Adam Parker Smith at The Hole NYC

At first glance, Adam Parker Smith’s shiny mylar balloon sculptures don’t look long for this world; inside of each, however, are resin & fiberglass interiors and metal armatures that give the sculptures heft. Arranged around a faux rock garden, the balloons resemble classic Greek sculptures reinterpreted with humor – Venus stands in the foreground with a champagne bottle body barely covered by a flying scarf while Augustus towers to the rear of the gallery. (At The Hole on the Lower East Side through July 24th).

Adam Parker Smith, installation view of ‘Oblivious the Greek,’ at The Hole NYC, June 2016.
Adam Parker Smith, installation view of ‘Oblivious the Greek,’ at The Hole NYC, June 2016.

Robert Barry at Mary Boone Gallery

Conceptual art pioneer Robert Barry uses language to transport viewers; in this handsome installation, cast resin letters painted a vibrant red form words like ‘intimate,’ ‘apparent’ that evoke strong associations. (At Chelsea’s Mary Boone Gallery through April 23rd).

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Robert Barry, ‘Red Line,’ dimensions variable, paint/cast resin, 2008/2016.