Robert Gober at Matthew Marks Gallery

Drawings of barred windows contrast sculptural tableau depicting open windows in Robert Gober’s new work at Matthew Marks Gallery’s 22nd Street location. While the bars suggest imprisonment, a series of wooden windows offer varying degrees of access into personal space resembling – to judge by the weathered sash and can of lithium grease in this version – an aging farmhouse.  Titled ‘Help Me,’ the piece suggests urgent need as it offers objects that stand in for the house’s inhabitants and possibly allude to the body.  Despite the pretty hand-painted designs on a lively curtain that appears to catch the breeze, uncertainty, sentiment, nostalgia and even delight at Gober’s meticulously hand-crafted objects combine to leave a feeling of thought-provoking unease.  (On view through Dec 23rd).

Robert Gober, Help Me, pewter, glass, synthetic plastic polymer, epoxy putty, acrylic paint, wood, cotton, epoxy resin, 30 ¼ x 30 3/8 x 18 ¾ inches, 2018 – 2021.

Jose-Carlos Martinat at Marc Straus Gallery

Peruvian artist Jose-Carlos Martinat transplants bold graphics from the streets of Lima into Marc Straus Gallery’s Lower East Side space in an impactful show that coincides with his country’s contentious election. Working in his signature technique, Martinat applies resin and fiberglass to outdoor walls that have been painted with political symbols and slogans, peeling away the paint in sheets that hang from the gallery ceiling or on the walls.  Here, a giant pencil originated as a message of support for former school teacher Pedro Castillo, the apparent winner of this month’s runoff.  (On view through June 30th.  Masks and social distancing required.)

Jose-Carlos Martinat, installation view at Marc Straus Gallery, June 2021.

Chris Ofili at the New Museum

At the beginning of his workday, British-born, Trinidad-based artist Chris Ofili experiments with watercolor and pencil drawings of his ‘Afromuses,’ imagined male and female characters that create a varied repertoire of inspirational characters. Seen here at Ofili’s New Museum exhibition, a selection of over 80 pieces showcases his quirky yet regal characters. (Through Jan 25th).

Chris Ofili, installation view of ‘Afromuses,’ at the New Museum, watercolor and pencil on paper, 1995-2005.

Fran Siegel at Lesley Heller Workspace

Fran Siegel’s monumental aerial view of Los Angeles defies standard views of the city that emphasize the grid, instead glorying in the expansive notion of the place as a fragmented network of systems and communities.  (At Lesley Heller Workspace on the Lower East Side through December 1st.)  

Fran Siegel, installation view of ‘Overland 16,’ cyanotype, ink, pencil and pigment on cut paper, 96” x 140,” 2013.