Marti Cormand in ‘Flora/Fauna’ at Josee Bienvenu Gallery

Marti Cormand’s last solo show at Chelsea’s Josee Bienvenu Gallery involved meticulously painting replicas of rediscovered artworks that had been considered ‘degenerate’ in the Nazi era.  His current series of oil on Polaroid paintings at the gallery involves painterly additions to photos found in his childhood house in Spain, continuing an engagement with recovered imagery from the past.  A hazy view inside a refrigerator, and a parrot in an arctic landscape suggest that Cormand is focusing on the strange or magical in the everyday; his swimmer similarly transports us, triggering memories of nature at its most inviting.  (On view through August 15th).

Marti Cormand, Swimmer (nedador), oil on polaroid, 4.20 h x 3.5 x inches, 2019.

Jaume Plensa at Galerie Lelong

Jaume Plensa’s latest exhibition at Galerie Lelong continues his investigation of portraiture, featuring several of his signature, elongated heads with closed eyes that suggest unseen inner lives. In Chelsea, they are arranged on wooden beams and are joined by spectral faces on the wall that transform the gallery into a contemplative space. (On view through March 11th).

Jaume Plensa, Silence, melis wood, variable dimensions, 2016.

Velazquez at the Metropolitan Museum of Art

This 1651-54 portrait by Velazquez of the presumptive heir to the Spanish throne, Maria Teresa, as a fresh-faced young teen is a standout in the Met’s current seven-painting show of work the famed Spanish court painter. Framed by an elaborate wig with butterfly ribbons, Maria Teresa’s round features glow with an innocence that would vanish with her future marriage to French King Louis XIV. (At the Metropolitan Museum of Art through March 12th).

Velazquez, Maria Teresa, Infanta of Spain, oil on canvas, 1651-54.
Velazquez, Maria Teresa, Infanta of Spain, oil on canvas, 1651-54.

Edward Burtynsky at Bryce Wolkowitz Gallery

This stunning aerial view of irrigation systems in Cadiz, Spain is part of Canadian photographer Edward Burtynsky’s Water series, which examines human use of the planet’s most valuable resource, specifically as it is harnessed for aquaculture. (At Bryce Wolkowitz Gallery in Chelsea through Dec 23rd).

Edward Burtynsky, Salinas #2, Cadiz, Spain, chromogenic color print, 2013.
Edward Burtynsky, Salinas #2, Cadiz, Spain, chromogenic color print, 2013.

Cristina de Miguel at Freight & Volume

Spanish artist Cristina de Miguel offers an update on Picasso’s 1905-6 Boy Leading a Horse with a version that crops the boy (as if shot on film) and adds expressionist patches of color reminiscent of the post-war CoBrA group. The horse’s expression – he’s in on the joke? – adds humor. (At Freight and Volume on the Lower East Side through July 10th).

Cristina de Miguel, Boy Leading a Horse, mixed media, 74 x 60 inches.
Cristina de Miguel, Boy Leading a Horse, mixed media, 74 x 60 inches.