Marti Cormand in ‘Flora/Fauna’ at Josee Bienvenu Gallery

Marti Cormand’s last solo show at Chelsea’s Josee Bienvenu Gallery involved meticulously painting replicas of rediscovered artworks that had been considered ‘degenerate’ in the Nazi era.  His current series of oil on Polaroid paintings at the gallery involves painterly additions to photos found in his childhood house in Spain, continuing an engagement with recovered imagery from the past.  A hazy view inside a refrigerator, and a parrot in an arctic landscape suggest that Cormand is focusing on the strange or magical in the everyday; his swimmer similarly transports us, triggering memories of nature at its most inviting.  (On view through August 15th).

Marti Cormand, Swimmer (nedador), oil on polaroid, 4.20 h x 3.5 x inches, 2019.

Marti Cormand at Josee Bienvenu Gallery

This painting of a sculptural fragment by German modernist artist Emy Roeder, a man puzzling over an abstract sculpture, and a portrait head by German artist Edwin Sharff are all meticulously paintings by Marti Cormand of artworks labeled ‘degenerate’ by the Nazis during WWII. Displaying the images as a series of 5 x 7 inch ‘postcards’ downplays their radicality but emphasizes the fact that their aesthetic has been wholly assimilated into contemporary art. (At Josee Bienvenu Gallery through July 22nd).

Marti Cormand, installation view of ‘Postcards A – Z’ at Josee Bienvenu Gallery, through July 22nd.
Marti Cormand, installation view of ‘Postcards A – Z’ at Josee Bienvenu Gallery, through July 22nd.