Vignettes repainted by Chris Oh from a highly detailed early northern Renaissance painting transcribe a scene of veneration onto a soccer ball. In the original 15th century painting, St Anthony honors the Christ child. Here, he appears like an apparition on another object of worship. (On view on the Lower East Side at Sargent’s Daughters through March 11th).
Jennifer Rubell continues to turn hospitality into art in this standout sculpture from her solo show at Sargent’s Daughters. A five-foot tall, resin pants suit doubles as a cookie jar holding treats baked from Hillary Clinton’s oatmeal chocolate chip cookie recipe, offered to the public in 1992 after she’d commented on wanting to pursue her career rather than bake cookies. Twenty-five years later, questions about women’s roles in society are a continued hot topic. (On the Lower East Side through March 5th).
Sargent’s Daughters’ homage to Dutch New Yorker Anton van Dalen includes this painting from 1986 featuring behavior psychologist B.F. Skinner, whose pigeon experiments included a plan to train the birds to guide missiles in WWII. Himself a pigeon fancier, van Dalen reimagines the pigeon’s world to fascinating effect. (On the Lower East Side through June 12th).
Laura Lancaster was inspired to paint from old photos in which she couldn’t tell herself apart from her twin sister. For her debut show in New York, the Newcastle, England-based artist culled images from found home movie reels, pictures that are still energized by uncertainty. (At Sargent’s Daughters on the Lower East Side through April 19th).
Laura Lancaster, untitled, oil on board, 51 x 90 inches, 2015.
Using his collection of manual typewriters, James Siena departs from his characteristic patterned, ruled-based paintings to designs resembling concrete poetry in a joint show with Orly Genger at Sargent’s Daughters. Including both legible numbers and abstract design, works like this one create an entertaining conundrum for the eye. (On the Lower East Side through Oct 26th).
James Siena, 1234567890 (ascending and descending in two directions), ink on paper, 11 x 8 ½ inches, 2013.
