Barbara Kruger’s iconic 1987 ‘I shop therefore I am’ image takes on new and damning forms in her powerful solo show at David Zwirner Gallery in Chelsea, where she updates the piece as a single channel video. The graphic materializes as if composed of puzzle pieces which break apart and reassemble every 57 seconds with new, provocative texts, including, “I am therefore I hate” and “I sext therefore I am.” Surrounded by wallpaper featuring hands holding imagery and messaging culled from the Internet, Kruger questions the values evidenced in contemporary culture and on-line discourse. (On view in Chelsea through Aug 12th).
Tag: political art
Rokni Haerizadeh in ‘A Storm is Blowing From Paradise’ at the Guggenheim Museum
Painting over You Tube video stills, Iranian artist Rokni Haerizadeh morphs familiar imagery into a setting for mythological creatures inspired by Persian tradition. Here, a building echoes the Guggenheim’s spiraling form but is surrounded by emergency vehicles, one of which has partially changed into a fish. (At the Guggenheim, in ‘A Storm is Blowing from Paradise: Contemporary Art of the Middle East and North Africa’ through Oct 5th).
Joan Linder at Mixed Greens
Joan Linder, Hooker 102nd Street Book, ink on moleskin notebook, 5 books, 5 ½ x 3 ½ inches when closed; 5 ½ x 105 inches when opened, 2013.
Doris Salcedo at the Guggenheim Museum
Doris Salcedo’s interconnected concrete-filled wardrobes are a standout in her beautiful, somber show at the Guggenheim Museum; using personal possessions, Salcedo uses the furniture to speak to the suspended lives of political detainees and the ‘disappeared’ in her native Columbia. (Through October 12th).
Doris Salcedo, installation view of Untitled Works, 1989-2008, Sept 2015.
Roger Brown at DC Moore Gallery
The Gulf War, AIDS crisis, Savings and Loan collapse and more inspired Chicago Imagist artist Roger Brown’s paintings from the 80s and early ‘90s, including ‘Landscape with Dollar Sign,’ in which a huge dollar sign materializes from the clouds over two tiny human figures like a doomsday omen. (At DC Moore Gallery through July 31st).
Roger Brown, Landscape with Dollar Sign, oil on canvas, 48 x 72 inches, 1991.