Daniel Gordon at Kasmin Gallery

Unlike classic Dutch still life, Daniel Gordon’s ‘Philodendron with Sardines and Lobster’ at Kasmin Gallery lacks the typical superabundance of a table piled high with fruit, meats and other delicacies, allowing for a more focused appreciation of the artist’s detailed, hands-on production of each item on display. After finding or taking a photograph of each object he intends to depict, Gordon prints images of the object, cutting and gluing them over forms that are placed into an arrangement of similarly crafted objects and then photographed to produce the final image.   Because they’ve originated in photographic images, lobster, fish, plant and vase on the one hand look believable as a flat image and yet are obviously 3-D renderings.  The space of the image is temporarily unclear, the medium blurred, creating pleasurable moments of uncertainty. (On view through June 3rd).

Daniel Gordon, Philodendron with Sardines and Lobster, pigment print with UV lamination, 49 7/8 x 40 inches, 2023.

Sohei Nishino at Bryce Wolkowitz Gallery

Sohei Nishino’s charmingly idiosyncratic maps of cities around the world track the Japanese globetrotter’s exploration of metropolitan architecture and populations. Each bricolage results from hundreds of images shot at various vantage points around a given city. In this detail from Nishino’s New Delhi diorama map, the crowds and traffic encroach on the India Gate war memorial, though it retains a space and aura of its own. (At Bryce Wolkowitz Gallery in Chelsea through March 4th).

Sohei Nishino, Diorama Map New Delhi, light jet print on Kodak Endura, 70.87 x 79.53 inches, 2013.
Sohei Nishino, Diorama Map New Delhi, light jet print on Kodak Endura, 70.87 x 79.53 inches, 2013.

Reinier Gerritsen at Julie Saul Gallery

On the subway platform one day, Dutch photographer Reinier Gerritsen noticed a serendipitous arrangement in red in the bag, sweater and lips of three women reading on the 6 train. From this initial flash of inspiration, Gerritsen began his a series of photo collages, bringing together book readers in single compositions that memorialize the printed tome. (On view at Chelsea’s Julie Saul Gallery through Feb 7th).

Reinier Gerritsen, One Hundred Years of Solitude, pigment print, 40 ½ x 70 ¾ , 2013.

Hans Haacke at Paula Cooper Gallery

Ever politically minded, New York based artist Hans Haacke presents new work at Paula Cooper Gallery targeting the Metropolitan Museum of Art’s new fountains, funded by political conservatives, the Koch Brothers. Flanked by pictures of the fountain and seemingly buoyed by doctored $100 bills, Haacke’s Met façade offers businesses the opportunity to park a corporate name on the building. (Through Nov 22nd).

Hans Haacke, The Business Behind Art Knows the Art of the Koch Brothers, UV matted laminated color inkjet photo mounted on aluminum, photo-collaged hundred dollar bills, 2014.

Fred Tomaselli at James Cohan Gallery

Brooklyn collage artist Fred Tomaselli’s first New York solo show since 2006 dazzles with images like this bird vs serpent standoff, set in a fiery swirl of red and orange under an improbably colorful night sky. The show also features New York Times front covers with photos altered to equally hallucinogenic effect. (At Chelsea’s James Cohan Gallery through June 14th).

Fred Tomaselli, Penetrators (Large), photo-collage, acrylic, resin on wood panel, 72 x 72 inches, 2012.