Daniel Gordon at Kasmin Gallery

Unlike classic Dutch still life, Daniel Gordon’s ‘Philodendron with Sardines and Lobster’ at Kasmin Gallery lacks the typical superabundance of a table piled high with fruit, meats and other delicacies, allowing for a more focused appreciation of the artist’s detailed, hands-on production of each item on display. After finding or taking a photograph of each object he intends to depict, Gordon prints images of the object, cutting and gluing them over forms that are placed into an arrangement of similarly crafted objects and then photographed to produce the final image.   Because they’ve originated in photographic images, lobster, fish, plant and vase on the one hand look believable as a flat image and yet are obviously 3-D renderings.  The space of the image is temporarily unclear, the medium blurred, creating pleasurable moments of uncertainty. (On view through June 3rd).

Daniel Gordon, Philodendron with Sardines and Lobster, pigment print with UV lamination, 49 7/8 x 40 inches, 2023.

Vickie Vainionpää at The Hole NYC

Citing the “mysterious and utterly sensual paintability of CGI,” Montreal-based artist Vickie Vainionpää combines digital and traditional art-making with her hand-painted renderings of alluring, digitally-generated forms.  A new body of oil on canvas paintings and an immersive video at The Hole in Tribeca from her continuing ‘Soft Body Dynamics’ series feature thick, undulating tubes of color winding through space.  Like reflective mylar party balloons, the upper squiggle feels celebratory while the lower, intestine-like duct is slightly visceral though the palette brings cotton candy to mind.  (On view through June 18th).

Vickie Vainionpää, Soft Body Dynamics 73, oil on canvas, 58 x 48 inches, 2022.

Summer Group Exhibition at Marian Goodman Gallery

Summer stripes dominate at Marian Goodman Gallery this summer where Gerhard Richter uses software to create patterns of thousands of lines in an eleven meter long digital artwork that runs perpendicular to richly colored wood columns by Anne Truitt. Beyond, Sol LeWitt’s 1985 ‘Wall Drawing #459 adds more bold color to the room with a shape-shifting asymmetrical pyramid. (On 57th Street through July 31st).

Installation view at Marian Goodman Gallery, June 2015.

James Hoff at Callicoon Fine Arts

Using the same skywiper virus that damaged Iran’s nuclear centrifuges, New York artist James Hoff creates gorgeous abstract images that hover between abstraction and representation, hinting at below-the-surface activities. (At Callicoon Fine Arts on the Lower East Side.)

James Hoff, Skywiper No. 3, chromaluxe transfer on aluminum, 20 x 16 inches, 2014.

Wade Guyton at Petzel Gallery

For his first solo gallery show in New York since his retrospective at the Whitney Museum in fall ’12, New York based artist Wade Guyton returns to his signature style with digitally created, minimalist ‘paintings’ printed in an epic battle with his Epson printer. (At Chelsea’s Petzel Gallery through Feb 22nd).  

Wade Guyton, Untitled, Epson UltraChrome K3 inkjet on linen, 2014 (one painting on each wall, both with the same title, materials and date.)