Barkley L. Hendricks at Jack Shainman Gallery

Known for his portraits of stylish Black people painted from the ‘60s onward, Barkley L. Hendricks’ lesser-known body of work merging minimalism and basketball is now on view at Chelsea’s Jack Shainman Gallery.  Between attending the Pennsylvania Academy of Art and Yale, Hendricks worked for the Philadelphia Department of Recreation as an artist with access to the courts and games that inspired pieces like ‘Two!’  Though the ball is in motion here, a sense of stillness pervades, as if the artist is savoring a moment in a game.  Though circular and rectangular forms dominate and bring to mind hard-edge abstraction, Hendricks evokes the flat stillness of a momentous scene in an early Renaissance painting.  (On view in Chelsea through April 30th).

Barkley L. Hendricks, Two!, oil on linen, 44” diameter, 1966-67.

Barkley L. Hendricks at Jack Shainman Gallery

Though they’re both solitary women illuminated by glowing backgrounds, the subject of Barkley L. Hendrick’s 2015 painting, Anthem, couldn’t be further in character from the measured cool of his iconic 1969 ‘Lawdy Mama.’ This singer is holding nothing back as she takes the stage with a double mike and unrestrained self-confidence. (At Jack Shainman Gallery through April 23rd.)

Barkley L. Hendricks, Anthem, mixed media including copper leaf, combination leaf, oil and acrylic on canvas, 75 x 77 inches, 2015.
Barkley L. Hendricks, Anthem, mixed media including copper leaf, combination leaf, oil and acrylic on canvas, 75 x 77 inches, 2015.

Barkley L. Hendricks at Jack Shainman Gallery

In his show at Chelsea’s Jack Shainman Gallery, Barkley L. Hendricks updates his reserved 1969 ‘Lawdy Mama’ beauty with a decidedly more confident woman in the 2011 ‘Triple Portrait:  World Conqueror.’ (Through April 6th).  

Triple Portrait:  World Conqueror, oil, aluminum leaf, variegation leaf and combination gold leaf on linen canvas, 2011.