Kerry James Marshall at Jack Shainman Gallery

A pot of gold in this new painting by Kerry James Marshall symbolizes good fortune but rests near a skeleton’s arm, suggesting that someone’s luck has run out.  Such contrast is at the heart of the artist’s new show, Exquisite Corpse, at Jack Shainman Gallery in Chelsea. Titled after the Surrealist game invented in the 1920s, each of the exhibition’s drawings and paintings are divided into three or four rectangular zones and appear to have been completed by separate individuals who had no knowledge of what was drawn or painted by the previous game participants.  The conceit might seem humorous at first – Marshall winkingly signed his own name different ways and suggests that he’s playing a game in this series.  But operating with no knowledge of the past can have implications if the stakes are higher than a fun time with friends.  Beauty ideals, a (disappearing) house, or a pot of gold are mirage-like, unstable symbols, offering food for thought about contemporary life and perceptions.  (On view through Dec 23rd).

Kerry James Marshall, Untitled (Exquisite Corpse Pot of Gold), acrylic on PVC panel, 2021.

Barkley L. Hendricks at Jack Shainman Gallery

Known for his portraits of stylish Black people painted from the ‘60s onward, Barkley L. Hendricks’ lesser-known body of work merging minimalism and basketball is now on view at Chelsea’s Jack Shainman Gallery.  Between attending the Pennsylvania Academy of Art and Yale, Hendricks worked for the Philadelphia Department of Recreation as an artist with access to the courts and games that inspired pieces like ‘Two!’  Though the ball is in motion here, a sense of stillness pervades, as if the artist is savoring a moment in a game.  Though circular and rectangular forms dominate and bring to mind hard-edge abstraction, Hendricks evokes the flat stillness of a momentous scene in an early Renaissance painting.  (On view in Chelsea through April 30th).

Barkley L. Hendricks, Two!, oil on linen, 44” diameter, 1966-67.