Kerry James Marshall at Jack Shainman Gallery

A pot of gold in this new painting by Kerry James Marshall symbolizes good fortune but rests near a skeleton’s arm, suggesting that someone’s luck has run out.  Such contrast is at the heart of the artist’s new show, Exquisite Corpse, at Jack Shainman Gallery in Chelsea. Titled after the Surrealist game invented in the 1920s, each of the exhibition’s drawings and paintings are divided into three or four rectangular zones and appear to have been completed by separate individuals who had no knowledge of what was drawn or painted by the previous game participants.  The conceit might seem humorous at first – Marshall winkingly signed his own name different ways and suggests that he’s playing a game in this series.  But operating with no knowledge of the past can have implications if the stakes are higher than a fun time with friends.  Beauty ideals, a (disappearing) house, or a pot of gold are mirage-like, unstable symbols, offering food for thought about contemporary life and perceptions.  (On view through Dec 23rd).

Kerry James Marshall, Untitled (Exquisite Corpse Pot of Gold), acrylic on PVC panel, 2021.

Kerry James Marshall at Jack Shainman Gallery

We knew that there was big money in the art world, but Kerry James Marshall makes it explicit with his installation of coins, constructed in brass.  Though the value of the coins adds up to $.99, the piece’s title reveals that fabrication costs were approximately $136,000.  And the selling price?  The gallery “…would prefer to not have that published,” a position that reinforces Marshall’s point that culture and money are entwined, sometimes secretly. (At Chelsea’s Jack Shainman Gallery through Oct 12th).  

Kerry James Marshall, 99 cent piece (One hundred thirty six thousand dollars in change), cast resin with brass overlay, 2012.