Carlos Vega at Jack Shainman Gallery

From persecuted religious figures to the first recorded female sculptor in Spain, Spanish artist Carlos Vega’s portrait paintings bring to light histories of remarkable women who refused traditional gender roles.  Here, Vega switches from mortals to marvel at the divine with an image of Lakshmi, Hindu goddess of wealth, fortune, prosperity.  (On view at Jack Shainman Gallery in Chelsea through March 30th).

Carlos Vega, Lakshmi, acrylic on canvas, 79 5/8 x 45 ¾ x 2 ½ inches, 2019.

David Weiss at Matthew Marks Gallery

Before late Swiss artist David Weiss joined forces with Peter Fischli to become the charmingly eccentric duo Fischli and Weiss, he traveled widely, drawing as he went.  Also inspired by underground comics, Weiss produced drawings like this tongue-in-cheek take on Giacometti’s famously reduced figure, currently on view at Matthew Marks Gallery’s 24th Street location. (On view through April 6th).

David Weiss, Untitled (Giacometti), watercolor, ink and graphite on paper, 9 3/8 x 6 ½ inches, 1978.

Andisheh Avini at Marianne Boesky Gallery

External architecture comes indoors at Marianne Boesky Gallery in Chelsea, where Iranian-American artist Andisheh Avini has installed two domed forms.  Born and raised in the US but inspired by his Iranian heritage, Avini provocatively arranges these two quasi-readymades (the domes are crafted and painted by hand) to suggest danger via their pointed spires, around which visitors are invited to step. (On view in Chelsea through April 6th).

Andisheh Avini, Untitled, acrylic, brass, foam, resin and wood, two works, each approx: 8 x 10 feet, 2019.

Kiki Smith at Pace Gallery

A cross section of a tree turns into a bosom in Kiki Smith’s bronze sculpture, ‘Sun,’ a highlight of new work at Pace Gallery that pulls human bodies into close contact with nature.  This sculpture’s golden patina recalls gilded, divine bodies while revealing its origins in a majestically-sized tree that nurtures.  (On view on 24th Street in Chelsea through March 30th).

Kiki Smith, Sun, bronze, 32 x 48 x 24 inches, 2018.

Daniel Rozin at Bitforms

Ceramic fragments resembling cracked mud ripple like water in response to visitors’ movements at Bitforms on the Lower East Side, creating a surprising and delightful effect, despite the worrying allusion to a parched environment. Part of Rozin’s new series of mechanical mirrors – interactive artworks that respond via motion sensor to a visitor’s movements which Rozin has created since the late 90s – the new mirrors inhabit a darkened gallery, creating a theatrical feeling that heightens the senses. (On view through March 17th).

Daniel Rozin, Cracked Mud, ceramic fragments, custom software, motors, control electronics, motion sensors, light fixture, 4 x 132 x 132 inches, 2019.