Chryssa at the Dia Foundation

When she arrived in New York from Athens, young Greek artist Chryssa was so taken by Times Square that she was inspired to create assemblages from neon and signage that capture the color and excitement of street life.  Stocked with loans from MoMA, the Walker Art Center and other major museums, the artist’s first show in the US since the 80s, now at the Dia Foundation in Chelsea, makes a strong case for her importance to New York’s downtown art scene in the 60s and 70s. Resembling a combination of street signs and printing plates for mass publication, Chryssa’s Americanoom suggests or actually includes words (‘zoom,’ ‘run,’ ‘new,’ and ‘café’) that give voice to a bustling city. (On view through July 23rd).

Chryssa, Americanoom, aluminum, steel, stainless steel and neon, 1963.

Hassan Hajjaj at Yossi Milo Gallery

Outstanding for its color and energy, Hassan Hajjaj’s ‘My Rockstars’ installation at Yossi Milo Gallery features photos of performers, musicians and friends that have inspired the London & Marrakech-based photographer/designer.  Shot in pop-up studios around the world with patterned textiles and mats for background, Hajjaj creates or styles each outfit.  Borders composed of small-scale commercial products, like the canned tomatoes surrounding Canadian artist MissMe, blend creativity and commerce.  (On view through May 29th.  Masks and social distancing are required).

MissMe, Metallic Lambda on 3mm Dibond in a Wood Spray white Frame with Tomato Cans, 52 inches x 37 inches x 2 ¼ inches, 2018/1440.

Os Gemeos at Lehmann Maupin Gallery

Os Gemeos, the Brazilian brothers who’ve painted giant outdoor murals around the world, are back in town with an exhibition of typically fabulous paintings at Lehman Maupin Gallery.  Harkening back to the artists’ initiation into the world of street art, music and dance in the 80s, this painting actually functions as a boombox, streaming music through Bluetooth speakers.   (On view in Chelsea through Oct 31st.  Masks and social distancing are required and gallery capacity is limited.  Visitors must give contact info.)

Os Gemeos, Boombox Walking, mixed media with sequins on MDF with sound system composed of two 6 inhc JBL/Harman Triaxial 60W speakers, DC 12V input bivolt amplifier and source 12V 3A, 74.61 x 110.04 x 4.53 inches (framed), 2020.

Sipros Sipros at Bushwick Collective

New York galleries may have reopened in July and part of August, but most have now closed for an end-of-summer break before regrouping in early September.  New York’s street art is ready to step in for our daily viewing pleasure, however, as proven by Brazilian street-art star Sipros Sipros’ delicious mural.  Part of Bushwick Collective’s sprawling program in Bushwick, Brooklyn, this big-eared character (the artist’s signature) enjoys a sticky moment in donut-paradise.  (On view on Troutman Street between Cypress Ave and St Nicholas Ave).

Isa Genzken’s Rose III at Zuccotti Park

Berlin-based sculptor Isa Genzken loves New York.  Years ago, she visited the city as a teen and has returned regularly, expanding her interest in the interrelation between buildings and other aspects of the urban fabric.  Versions of her 26-foot-tall rose, a token of love, debuted on the façade of the New Museum and dominates MoMA’s currently closed sculpture garden.  This iteration, installed permanently on the corner of Zuccotti Park and Trinity Place, winkingly adds ornament to the stripped-down modernist buildings in the area while continuing to express affection for the city on still-quiet downtown streets.

Isa Genzken, Rose III, aluminum, galvanized steel, lacquer, 2016.