Yto Barrada in ‘Hiding in Plain Sight’ at Pace Gallery

Is abstraction less political than representational art?  ‘Hiding in Plain Sight,’ Pace Gallery’s summer group exhibition, argues for abstract art’s capacity to embody resistance.  Yto Barrada’s ‘Geological Time Scale,’ a selection of monochrome Moroccan rugs arranged around a custom-built table, recalls how an early 20th century French general’s catalogue of traditional rugs excluded single-color pieces, his bias impacting his audience’s understanding of Moroccan textile production.  (On view in Chelsea through Aug 20th).

Yto Barrada, Geological Time Scale (assembled group of primarily monochrome Beni Mguild, Marmoucha, and Ait Sgougou pile rugs from Western Central, Middle Atlas, Morocco), Mid-20th Century, mixed media, dimensions variable, 2015.

Hassan Hajjaj at Yossi Milo Gallery

Outstanding for its color and energy, Hassan Hajjaj’s ‘My Rockstars’ installation at Yossi Milo Gallery features photos of performers, musicians and friends that have inspired the London & Marrakech-based photographer/designer.  Shot in pop-up studios around the world with patterned textiles and mats for background, Hajjaj creates or styles each outfit.  Borders composed of small-scale commercial products, like the canned tomatoes surrounding Canadian artist MissMe, blend creativity and commerce.  (On view through May 29th.  Masks and social distancing are required).

MissMe, Metallic Lambda on 3mm Dibond in a Wood Spray white Frame with Tomato Cans, 52 inches x 37 inches x 2 ¼ inches, 2018/1440.

Domenico Zindato at Andrew Edlin Gallery

Italian-born artist Domenico Zindato works on each of his meticulous paintings outdoors, at his home in Cuernavaca, Mexico.  Inspired by his trips to India and Morocco, Sufi music and more, Zindato’s colorful, pattern-rich scenes invite entrée into a magical, alternate universe.  (At Chelsea’s Andrew Edlin Gallery through Jan 18th).  

Domenico Zindato, detail of Untitled, ink and pastel on paper, 2009.