Misaki Kawai at The Hole

A giant yellow emoji pillow greets visitors to Misaki Kawai’s latest show at The Hole on the Bowery, signaling that the artist’s sense of humor is still lively.  Her bright, fun, faux-naïve style comes across in text paintings and furry sculptures that invite touch (a sign on the wall and a dispenser of hand sanitizer confirm that this is allowed). Citing the notion of ‘heta-uma,’ or ‘bad but good,’ Kawai challenges notions of taste, but all in good fun.  (On view through Feb 14th. Masks and social distancing are required.)

Misaki Kawai, Moko Moko (Pink), faux fur, felt, wood, steel, 60 x 60 x 12 inches, 2020.

Leonard Hurzlmeier at Rachel Uffner Gallery

Who she is or what she’s fighting for is unclear in young Munich-based artist Leonard Hurzlmeier’s ‘Rebellion,’ but it’s obvious that the subject is moving forward apace. Hurzlmeier’s bold paintings find fun in full-bodied female figures who engage the world head-on. (At Rachel Uffner Gallery on the Lower East Side through April 23rd).

Leonhard Hurzlmeier, Rebellion, oil on canvas, 78 ¾ x 47 inches, 2016-2017.

Roni Horn in ‘Space Between’ at FLAG Art Foundation

Ellsworth Kelly’s sleek forms – sometimes abstracted from nature – inspired FLAG Art Foundation’s summer group show and are seen in the background here. But Roni Horn’s ‘Pink Around (B),’ in the foreground is perfectly positioned to beautifully interact with nature, reflecting the sky and recording the changing light during the course of the day. (In Chelsea through August 14th).

Roni Horn, Pink Around (B), solid cast pink glass, 40 x 14 1/2 inches, 2008.