Ian Mwesiga at FLAG Art Foundation

Forest mist and a pool’s smooth surface mirror each other in color and tranquility in Ian Mwesiga’s intriguing painting ‘Man and His Shadow’ at the FLAG Art Foundation, but the scene isn’t as peaceful as it first appears.  The work is a standout in the Kampala-based artist’s first New York solo show and one of several that feature pools of water as troubled places.  In one painting, a woman glides underwater while a friend acts as lookout under a ‘no swimming’ sign; in another piece, a corporate logo dominates the scene.  Here, the water looks least inviting for a dip, as fallen leaves indicate a change of season that might bring a chill to the air.  Standing between two cracked columns that suggest ruins and leaning on a more solid-looking, modern wall, a young man in swim trunks peels off a sock.  Apparently the sole agent who can decide how this scenario moves forward, viewers look to him, anticipating what will happen next.  (On view in Chelsea through May 4th).

Ian Mwesiga, Man and His Shadow, oil on canvas, 70 7/8 x 59 inches, 2023.

‘Friends and Lovers’ at the FLAG Art Foundation

Visitors to Chelsea’s FLAG Art Foundation encounter a wall of beautiful and colorful portraits by Billy Sullivan made over forty-five years at the entrance to FLAG’s hugely enjoyable group show ‘Friends and Lovers.’  Featuring work by over fifty artists and partly inspired by Alice Neel’s expressive portraits (the show includes her 1952 painting of her son, Hartley), the show is a hotbed of better and lesser-known talent and includes work by artists who have lately shown standout work in New York.  Among many highlights are Jerrell Gibbs’ portrait of a dapper young man in a lively interior sitting before an image of Picasso’s iconic dove and Ruby Sky Stiler’s inclusive grouping of male, female and child models that exist in both 2-D and 3-D.  (On view through Jan 20th).

Ruby Sky Stiler, Rose Bathers, Baltic plywood, paint and hardware, 78 x 95 x 3 inches, 2021.
Jerrell Gibbs, Fly Black Boy, FLY, oil, oil stick on canvas, 72 x 60 ¼ inches, 2020.
Billy Sullivan, Various works, pastel, oil and watercolor on pastel and canvas, various dimensions, 1974 – 2019.

Angela Dufresne in ‘Strike Fast, Dance Lightly: Artists on Boxing’ at FLAG Art Foundation

‘Strike Fast, Dance Lightly:  Artists on Boxing’ at FLAG Art Foundation opens with artworks that avoid actual engagement in the sport – ‘I told you nobody ought never to fight him,’ reads a text painting by Ed Ruscha while Paul Pfeiffer’s video ‘Caryatid (Pacquiao)’ digitally removes one of the fighters in a bout.  Soon enough though, the match is on in a blaze of color in Rosalyn Drexler’s pastel of a lime-green colored athlete against a pink background, Katherine Bradford’s fighters locked in an exhausted or amorous embrace, and Angela Dufresne’s small expressionist oil painting of two circling fighters surrounded by a spray of blue and red paint that conveys the violence and energy of the match.  Engaging with the sport on many levels, FLAG’s show requires no specialty knowledge to appreciate the enjoyably eclectic inclusions, from an ancient Roman oil lamp featuring a boxer to Eadweard Muybridge’s late 19th century photographic studies and much more.  (On view through August 11th).

Angela Dufresne, Fight Scene, oil on canvas, 10 x 14 inches, 2009.

Derrick Adams at FLAG Art Foundation

Painter Derrick Adams has long been inspired by the sights and people of his Brooklyn neighborhood, from wig shops to the faces of his neighbors.  Recent work on view at the Flag Art Foundation in Chelsea continues this interest while announcing a new direction; inspired by movies, Adams adds another layer of narrative and visual power to over a dozen new works that continue his exploration of Black leisure and joy in everyday life.  One day while working on a photo shoot in a Brooklyn park, Adams observed a young Black couple installing and relaxing in a hammock.  The scenario struck him as cinematic and inspired this happy ode to life’s pleasures enjoyed by the couple, a squirrel, pigeons and even a public monument.  (On view through March 11th).

Derrick Adams, JUST, acrylic on wood panel, 95 x 71 7/8 inches, 2022.

Julie Curtiss in ‘Among Friends: Three views of a collection’ at the FLAG Art Foundation

Julie Curtiss does strange things with hair.  In past work, she’s covered faces, legs, animals and food with layers of wavy locks, making her subjects both repellant and slightly sinister.   Here, in a piece at the FLAG Art Foundation’s summer group exhibition, a straightforward hairstyle – middle part with straight bangs – signals menace.  Titled ‘Fangs,’ this hairdo is less scary than Medusa’s but might give a new acquaintance pause.  (On view in Chelsea through Aug 12th).

Julie Curtiss, Fangs, airbrushed acrylic and gouache on paper, 12 x 9 inches, 2020.