Marie Watt at Print Center New York

This tower of blankets embodies the memories of individuals, responding to an open call, who donated them to artist Marie Watt during the pandemic.  Now a highlight of Watt’s retrospective, ‘Storywork: The Prints of Marie Watt’ at Print Center New York, the stack is reminiscent of mid-century minimalism but favors warm materials and personal associations over cold, fabricated components.  Watt’s stacks are sometimes accompanied by metal I-beams that reference her fellow Seneca citizens’ work in New York’s steel industry, while her use of textiles refer to Native American practice of gifting blankets at important life events.  Watt’s other signature forms (ladders and looping dream catchers) and nods to cultural figures like Marvin Gaye and Jasper Johns broader her own story, celebrating cultural interconnectedness.

Marie Watt, Blanket Stories: Great Grandmother, Pandemic, Daybreak, reclaimed blankets and cedar, 2021.

 

 

Kay Rosen at Sikkema Jenkins & Co.

‘Stay Away’ reads an enormous latex sign on the wall of Sikkema Jenkins and Co in Chelsea, not warning visitors away but welcoming them to Kay Rosen’s new show of text-based artwork.  Seeing words as found material, Rosen repeats word fragments (such as the ‘ay in ‘stay’ and ‘away’) in a play on language that highlights unnoticed connections.  Here, ‘Queue Up’ speaks to the experiences of lining up during the pandemic.  (On view through Oct 16th.  Masks required).

Kay Rosen, Queue Up, latex on wall, installation dimensions variable, 2020 – 21.

Leslie Wayne at Jack Shainman Gallery

Leslie Wayne’s paintings give pleasure through deception; her signature technique is to use paint as a sculptural medium, fooling the eye with dried paint crafted in three dimensions.  Wayne’s latest solo show at Jack Shainman Gallery presents paintings that appear to be objects in her studio or windows that do or do not offer a view.  On closer inspection, each is carefully crafted to resemble a well-used tool, now worse for wear.  Constructed over the past year, each artwork speaks to brokenness close to home.  (On view in Chelsea through July 2nd.)

Leslie Wayne, Broken, Busted, Fractured, Fragmented, Shattered, Smashed, Kaput, oil, enamel, and acrylic on wood, aluminum and cotton cloth, 44 x 48 x 9 inches, 2020.

Billie Zangewa at Lehmann Maupin Gallery

Titled ‘Wings of Change’ rather than ‘winds,’ Billie Zangewa’s new body of work at Lehmann Maupin Gallery speaks to the importance of personal renewal and of hope in the face of difficult times.  Created by hand-stitching pieces of silk together on larger, fragmentary surfaces, perfection is not the goal.  Rather, each work acknowledges life’s messiness (all were made during the pandemic) and features Zangewa and her son continuing to build their life together at home.  (On view in Chelsea through Nov 3rd).

Billie Zangewa, Heart of the Home, hand-stitched silk collage, 53.5 x 43.25 inches, 2020.