Martin Puryear at Matthew Marks Gallery

History looms large in succinct and powerful sculptures by Martin Puryear at Matthew Marks Gallery that include a huge civil war cap with a cannon hidden inside and a classical fluted column supporting a stylized shackle – a monument to Sally Hemings.  Here, a precariously situated wagon reimagines the vehicles the Boers used to move into South Africa’s interior in the 19th century.  Titled ‘New Voortrekker,’ after the term the Boers used for themselves, the sculpture’s wagon features a spiral staircase with a mirror at its base, as if to offer ascending/descending settlers a different view of themselves.  (On view in Chelsea through Dec 19th. Masks, social distancing and appointments are required).

Martin Puryear, New Voortrekker, ash, American cypress, maple, mirror, 2018.

Martin Puryear’s Big Bling at Madison Square Park

Martin Puryear’s huge wooden structure, sheathed in chain-link fencing and capped with a gold-leafed shackle, towers over Madison Square Park’s main lawn like a seated animal. Its shape echoes the Phrygian cap, associated with French revolutionaries and freedom and explored recently by the artist, and is topped off with a gorgeously gleaming shackle – a gilded symbol of servitude. (At Madison Square Park through January 8th, 2017).

Martin Puryear, Big Bling, installation view in Madison Square Park, 2016.
Martin Puryear, Big Bling, installation view in Madison Square Park, 2016.

Martin Puryear at Matthew Marks Gallery

The Phrygian cap, worn as a symbol of emancipation in the French revolution and before, inspired American sculptor Martin Puryear’s new work at Chelsea’s Matthew Marks Gallery. As a series of sculptures that point to freedom, Puryear’s work goes beyond formally attractive objects to suggest justice as its own form of beauty. (Through Jan 10th).

Martin Puryear (foreground), Big Phrygian, painted red cedar, 2010-2014.