Sherrill Roland at Tanya Bonakdar Gallery

After serving time for a crime he didn’t commit, now-exonerated artist Sherrill Roland makes artwork that reflects on the physical limits and daily realities of prison life.  At Tanya Bonakdar Gallery, his geometric sculptures trace the outline of a cinder-block cell wall and lightboxes present text of letters written to family.  Here, two acrylic glass cubes-within-cubes recall the basketball tournament Roland helped organize while incarcerated and include a hoop and three bags inside one cube containing commissary items as awards for tournament winners.  Recalling Damien Hirst’s freestanding steel and glass vitrines, Roland’s less heavy-seeming cubes bear greater psychological weight, conveying personal suffering caused by confinement. (On view in Chelsea through Feb 5th. Masks and social distancing required.)

Sherrill Roland, Home and Away, acrylic glass, steel, primer, basketball, basketball rim, basketball net, three plastic bags with commissary goods, two cubes: 97 ½ x 97 ½ x 97 ½ inches, 2021 – 22.

Martin Puryear at Matthew Marks Gallery

The Phrygian cap, worn as a symbol of emancipation in the French revolution and before, inspired American sculptor Martin Puryear’s new work at Chelsea’s Matthew Marks Gallery. As a series of sculptures that point to freedom, Puryear’s work goes beyond formally attractive objects to suggest justice as its own form of beauty. (Through Jan 10th).

Martin Puryear (foreground), Big Phrygian, painted red cedar, 2010-2014.

Kay Hassan at Jack Shainman Gallery

Working from torn billboard posters, Johannesburg-based artist Kay Hassan created this monumental untitled piece at Jack Shainman Gallery over ten years ago. Explaining that it represented dispossessed people, Hassan points to the eye in the middle as a symbol of looking and praying for justice. (Through Nov 15th).

Kay Hassan, Untitled, paper construction, 268 ½ x 132 inches, 2001-03.