Larry Bell at Hauser & Wirth Gallery

Operating under the premise that, “Art makes a positive difference at all times and in all circumstances” Hauser & Wirth Gallery has reverted to on-line exhibitions and other Internet-accessible strategies to make art available.  The gallery’s recently released exhibition walk-through with Light and Space artist Larry Bell wonderfully conveys Bell’s exploration of how glass ‘reflects, absorbs and transmits light.’   We can’t visit the artist’s reflective glass panels right now (seen here in a smaller sculpture), but the next best thing is watching him activate his ‘Standing Wall’ installations to shift the space around him.

Larry Bell, Iceberg SS, French Blue, Capri Blue, Periwinkle, and Turquoise laminated glass, 4 parts, unique, dimensions variable, 2020.

Wael Shawky at Lisson Gallery

Egyptian artist Wael Shawky talks of crafting history as a medium, referencing existing texts, historical paintings, poems and more to conjure a new creative product. His latest show at Lisson Gallery takes inspiration from histories of the Arabian peninsula from the 17th century to the present, particularly considering the rapid development of the region’s cities.  Here, a glass structure and a giant palm tree act like beacons atop two hills, situated on a larger blue/green structure alluding to traditional thick-walled Najd architecture in a striking installation alive with opaque allusions.  (On view in Chelsea through Oct 19th).

Wael Shawky, The Gulf Project Camp: Glass Sculpture #1, glass, 29 ½ x 31 ½ x 78 5/8 inches, 2019.

Meg Webster in ‘Non-Vicious Circle’ at Paula Cooper Gallery

Unlike her mid-20th century counterparts who also employed minimalist forms, repetition, and awareness of the immediate environment in their sculpture, Meg Webster’s interest in the natural world connects her installation of five glass spheres from 1987 at Paula Cooper Gallery to the wonder of naturally occurring phenomena.  The imperfectly formed shapes are scaled up to the size of those made by huge bubble wands at a kids’ science museums yet they evoke the briefly lived magic of a floating pocket of air.  (On view in Chelsea through August 16th).

Meg Webster, Largest Blown Sphere, five glass spheres, each 36 x 36 x 36 inches, 1987.

Dylan Martinez in ‘Fire and Water’ at Lyons Wier Gallery

Washington-based glass artist Dylan Martinez fools the eye with solid glass sculptures that appear to be plastic bags filled with water.  “Our desires often override our true perception of reality,” the artist explains, anticipating the strong urge to believe that there’s water inside each ‘bag’ when, in fact, it’s the reflections on the exterior that create an illusion of movement.  A standout in Lyons Wier Gallery’s ‘Fire & Water’ group exhibition, Martinez also amazes with glass sculptures resembling cross sections of a vase, undulating in space.  (On view in Chelsea through July 6th).

Dylan Martinez, Glass Water Bags, hollow and solid sculpted glass, 2019.

Jane Rosen at Sears Peyton Gallery

‘Knight to Rook,’ the title of Jane Rosen’s latest solo show at Sears-Peyton Gallery, highlights the strategic placement of her totemic sculptures; here, a glass raptor perches before a stone fox, both suggesting the birds of prey and jackal of Egyptian mythology.  Though the artist cites Giorgio Morandi’s vessel-based still lives as inspiration (particularly in a sculptural installation), Brancusi’s stylized, curving sculptures atop rough-hewn plinths come to mind, linking the finished product back to its origins in nature.  (On view in Chelsea through Dec 15th).

Jane Rosen, Cash Bird on Ladder, hand blown pigmented glass and limestone, 64 x 8 x 13 inches, 2017.