Jane Rosen at Sears Peyton Gallery

‘Knight to Rook,’ the title of Jane Rosen’s latest solo show at Sears-Peyton Gallery, highlights the strategic placement of her totemic sculptures; here, a glass raptor perches before a stone fox, both suggesting the birds of prey and jackal of Egyptian mythology.  Though the artist cites Giorgio Morandi’s vessel-based still lives as inspiration (particularly in a sculptural installation), Brancusi’s stylized, curving sculptures atop rough-hewn plinths come to mind, linking the finished product back to its origins in nature.  (On view in Chelsea through Dec 15th).

Jane Rosen, Cash Bird on Ladder, hand blown pigmented glass and limestone, 64 x 8 x 13 inches, 2017.

Carl Andre in ‘Brancusi: Pioneer of American Minimalism’ at Paul Kasmin Gallery

‘All I’m doing is putting Brancusi’s Endless Column on the ground instead of in the sky,’ explained Minimalist sculpture Carl Andre in reference to ‘War & Rumors of War,’ a sculpture composed of 90 Australian hardwood timbers. The piece opens Paul Kasmin Gallery’s exhibition of two elegant Brancusi sculptures and works by the major American mid-century artists they inspired. (In Chelsea through June 20th).

Carl Andre, War and Rumors of War, 90 Australian hardwood timbers, overall: 35 ½ x 149 x 138 inches, 2002.

Claudia Comte at Barbara Gladstone Gallery

Inspired by Road Runner cartoons, Swiss artist Claudia Comte picked up a chainsaw as a young woman and started carving replica-cacti and more. Brancusi, Noguchi and other 20th century minimalists are references, along with more vernacular items, like the wine bottle opener that seems to have prompted this piece. Comte’s cheeky art historical remix results in a handsome installation. (At Barbara Gladstone Gallery’s 21st Street space through March 21st).

Claudia Comte, installation view of ‘No Melon No Lemon’ at Barbara Gladstone Gallery, Feb 2015.

Brancusi at Paul Kasmin Gallery

The elegant simplicity of Modernist art icon Constantin Brancusi’s sculptures is on display at Chelsea’s Paul Kasmin Gallery, where the gallery has partnered with the Brancusi Estate to showcase five posthumously created cast bronze sculptures.  Based on a Hungarian artist who modeled for Brancusi several times, this sculpture of Mllm Pogany displays the otherworldly charm of her saucer-like eyes, hands folded against her head and cascades of hair down her back.  (Through Jan 24th.  Check website for holiday season opening hours.)  

Mademoiselle Pogany II, polished bronze, 17 5/8 x 11 3/8 x 11 7/8 inches, 1925-2006.

Josephine Meckseper at Andrea Rosen Gallery

In her large-scale vitrines, German artist Josephine Meckseper brings together a replica of Brancusi’s endless column, underwear modeling mannequins and more to question how appropriating historical and contemporary artifacts can create new meaning.  (At Andrea Rosen Gallery in Chelsea through Jan 18th.  Check website for holiday season opening hours.)  

Josephine Meckseper, Title TBD, pigment prints on anodize aluminum, acrylic on wood, concrete, aluminum, bronze and stainless steel in stainless steel and glass vitrine, 2013.