Parker Ito at Andrea Rosen Gallery

Parker Ito’s riotous mess of an installation in Andrea Rosen Gallery’s summer group show epitomizes his collage art approach. A painting dangling from the ceiling brings together unconnected, sampled phrases like ‘I’m really creative’ and ‘One Love’ against a background of LED light strings, keeping meaning elusive on purpose. (In Chelsea through August 14th).

Parker Ito, One Love/Everyday people/tell me/jelly manhood I’m wearing those pants now/I’m pretty creative /Essay coming soon), oil on canvas, acrylic on aluminum strainers, artist frame, hanging hardware, LED lights, 122 x 96 x 2.5 inches, 2013-15

Ron Arad’s Thumbprint at Paul Kasmin Gallery

It’s not an official exhibition, but Paul Kasmin Gallery’s 515 West 27th Street space is currently hosting a selection of artworks including designer Ron Arad’s shimmering chair-like sculpture ‘Thumbprint,’ which seems to shape-shift on the gallery floor.

Forcefield in ‘What Nerve!’ at Matthew Marks Gallery

Art made outside of New York art scene from the 60s to the present inspired Matthew Marks Gallery’s group show this summer, an exhibition that includes work by the collective ‘Forcefield’ who are known for their unconventional costuming. Here, Lord of the Rings inspires a contemporary chain mail chic. (In Chelsea through August 14th).

Forcefield, Lord of the Rings Modulator Shroud, stainless steel ID rings, 2002-15.

Pepo Salazar in ‘Grand Illusion(s)’ at Simon Preston Gallery

In the still of Simon Preston Gallery, Paris-based artist Pepo Salazar stretches a slim yet commandeering text reading ‘noise’ from wall to wall, forcing visitors to step gingerly through an artwork inspired by heavy metal music fonts. (On the Lower East Side through August 8th.)

Pepo Salazar, Noise, steel, 843 x 331 x 10.16 cm, 2008-2015.

Lisa Williamson in ‘No Vacancies’ at Marianne Boesky Gallery

Oversized furniture segments, huge matchsticks, nautical implements and memorials come to mind with LA artist Lisa Williamson’s tall, elegant ‘Long Dimension (Gates),’ a standout in Marianne Boesky Gallery’s summer group show. (In Chelsea through August 7th).

Installation view of ‘No Vacancies’ at Marianne Boesky Gallery (Background: Robert Morris, Untitled, 1997. Foreground: Lisa Williamson, Long Dimension (Gates), acrylic on wood, steel base with black acid and wax finish, 2015.)