Tag: gallery

Fiona Connor at Lisa Cooley Gallery

Visit a New York City park in the summer and you’ll find clusters of kids filling water balloons at fountains identical to LA artist Fiona Connor’s handmade replica of a cast concrete water fountain. Connor’s indoor version offers more peaceful and contemplative refreshment, however, on its own in the back room of Lisa Cooley Gallery. (On the Lower East Side through August 21st).

Fiona Connor, On What Remains (fountain), concrete, EPS foam, antique brass hardware, plumbing supplies, steel, ply, paint and coatings, car battery, Jabsco pump, potable water, 36 x 24 x 36 inches, 2015.

Robin Rhode at Lehmann Maupin Gallery

Known for photo sequences that involve individuals interacting with drawings made on the ground or wall, South Africa artist Robin Rhode branches out into post-performance installation in his latest show at Chelsea’s Lehmann Maupin Gallery. Bikes have long figured in his work as emblems of what the average kid on the street can’t afford; here, he’s used a cast chalk bike as a drawing tool to create a jittery, moving vehicle. (Through August 21st).

Robin Rhode, Chalk Bike, chalk and steel, 41 x 72.5 x 19 in, 2 windows, each 24.75 x 38.5 x 3 inches, 2015.

Patrick Van Caeckenbergh at Lehmann Maupin Gallery

Belgian artist Patrick Van Caeckenbergh’s meticulous drawings resemble photographs but record trees embellished by his imagination into wondrous monstrosities. (At Lehmann Maupin Gallery on the Lower East Side through August 21st).

Patrick Van Caeckenbergh, Drawing of Old Trees during wintry days 2007-2014, pencil and paint on paper, 21.06 x 30.79 inches, 2007 – 2014.

Ajay Kurian in ‘A Rare Earth Magnet’ at Derek Eller Gallery

Ajay Kurian’s torture machine for Minions slowly pokes into a plastic toy version of this cheery embodiment of evil, a thought-provoking gesture both absurd and sinister. (At Chelsea’s Derek Eller Gallery through August 21st).

Ajay Kurian, What Should We Do with Our Brains?, toy, steel, Plexiglas, linear actuator, arduino board, magic-sculpt, 14.5 x 14 x 24 inches, 2015.

The Hours of Jacques Hurault in ‘The Written Trace’ at Paul Kasmin Gallery

It might be a stretch to consider this 16th century French illustrated manuscript as a precursor to R. Crumb’s cartoons, as a handout at Paul Kasmin Gallery suggests. Still, its meticulous detail and historical importance make it a knockout in the gallery’s summer group show celebrating the visual qualities of the written word. (In Chelsea through August 14th).

The Hours of Jacques Hurault, Grand Audienier of France, c. 1500-1510, Book of Hours, use of Rome in Latin and French, illuminated manuscript on parchment, bound in French vellum, 6 ¼ x 4 ¼ x 1 ½ inches.