The Hours of Jacques Hurault in ‘The Written Trace’ at Paul Kasmin Gallery

It might be a stretch to consider this 16th century French illustrated manuscript as a precursor to R. Crumb’s cartoons, as a handout at Paul Kasmin Gallery suggests. Still, its meticulous detail and historical importance make it a knockout in the gallery’s summer group show celebrating the visual qualities of the written word. (In Chelsea through August 14th).

The Hours of Jacques Hurault, Grand Audienier of France, c. 1500-1510, Book of Hours, use of Rome in Latin and French, illuminated manuscript on parchment, bound in French vellum, 6 ¼ x 4 ¼ x 1 ½ inches.

Pepo Salazar in ‘Grand Illusion(s)’ at Simon Preston Gallery

In the still of Simon Preston Gallery, Paris-based artist Pepo Salazar stretches a slim yet commandeering text reading ‘noise’ from wall to wall, forcing visitors to step gingerly through an artwork inspired by heavy metal music fonts. (On the Lower East Side through August 8th.)

Pepo Salazar, Noise, steel, 843 x 331 x 10.16 cm, 2008-2015.