Despite the pressures of a busy life, whether she was at home, at work or at her mother’s house, Shirley Lam always put a meal on the table for her family. Thomas Holton’s documentary photos of the Lam family’s life in their 350 sq ft apartment on Ludlow Street is one of three remarkable photo series now on view at the Museum of the City of New York that elaborate on capability and sacrifice in New York’s Chinese communities. (on view through March 24th).
Wealth is a provocative topic for Nigerian-American artist Toyin Ojih Odutola, who depicts two well-heeled fictional Nigerian families in her latest charcoal, pastel and pencil drawings at Chelsea’s Jack Shainman Gallery. Vibrant and moody, the portraits ask – as Ojih Odutola puts it – ‘what would wealth look like’ had colonialism not happened? (On view at both Jack Shainman Gallery locations through Oct 27th).
Photographer Sage Sohier looks ambushed by her former-model mother and her sister, who make Sohier up with gusto in this family portrait. Our sympathy is tempered by mom’s and sis’s smiles, but as Sohier stages beauty treatments and time at home in her mother’s company, viewers are prompted to consider the role of beauty and appearances in Sohier’s life and our own. (On view at Foley Gallery on the Lower East Side through Jan 7th).
Part of ‘Dream Machines,’ an exhibition that ponders how in daily life, ‘the real and imaginary cease to be contradictory,’ Mernet Larsen’s surreal ‘Sunday Drive’ is both plausible and impossible at once. Her orange-toned factory fresh figures are perfect but creepy, giving viewers pause to reconsider the serendipity of an American tradition. (At James Cohan Gallery’s Chelsea location through July 28th).
After serving in the Naval Aviation Photographic Unit during WWII, Fons Iannelli returned to the States to establish a successful career photographing for McCall’s, Life, Fortune and other magazines. Alongside striking images of naval life, and later photos of efficient housewives shot for commercial purposes, Iannelli’s scenes from his 1946 Kentucky Coal Miner series, now on view at Chelsea’s Steven Kasher Gallery reveal the difficult circumstances of family life in the mining community. (On view through August 11th).
