Ifeyinwa Joy Chiamonwu at Jack Shainman Gallery

Young Nigerian artist Ifeyinwa Joy Chiamonwu amazes with her photo realist style and the pleasure she takes in painting elements of Igbo tradition.  In this piece titled ‘Umunne (Siblings)’ at Jack Shainman Gallery on 24th Street, Chiamonwu depicts two of her siblings in a moment of peaceful unity as they pose together with closed eyes.  A cowry shell bracelet symbolizing prosperity and snail shells signifying abundance speak to the family’s cultural wealth.  (On view in Chelsea through Feb 19th.  Masks and social distancing required.)

Ifeyinwa Joy Chiamonwu, Umunne (Siblings), charcoal, sepia, pastel and acrylic paints on canvas, 46 ½ x 46 inches, 2021.

Todd Gray at David Lewis Gallery

Coretta Scott King speaks in a photo held by a silent man who himself is superimposed over an elaborate ornamental structure in this photo collage by Todd Gray.  Liberation and the legacy of oppression, particularly of European colonization in Africa and the architectural expressions of wealth it allowed in Europe, come head-to-head in new photo collage by Todd Gray at David Lewis Gallery on the Lower East Side. (On view through June 16th).

Todd Gray, Coretta, two archival pigment prints in artist’s frames and found frames, UV laminate, 51 ½ x 67 x 3 ½ inches, 2019.

Toyin Ojih Odutola at Jack Shainman Gallery

Wealth is a provocative topic for Nigerian-American artist Toyin Ojih Odutola, who depicts two well-heeled fictional Nigerian families in her latest charcoal, pastel and pencil drawings at Chelsea’s Jack Shainman Gallery. Vibrant and moody, the portraits ask – as Ojih Odutola puts it – ‘what would wealth look like’ had colonialism not happened? (On view at both Jack Shainman Gallery locations through Oct 27th).

What Her Daughter Sees, pastel, charcoal and pencil on paper, 57 ¾ x 42 inches (paper), 2018.