Though the central figure of Sedrick Huckaby’s genre-bending painting/sculpture ‘Frederick’s Family’ is surrounded by relatives, their crossed arms and stony looks suggest deep discord. With downcast eyes and drab-colored clothing, Frederick begs the question of what went wrong and how things are to continue. (At Steven Harvey Fine Art Projects on the Lower East Side through April 23rd).
To make work for the 2012 Echigo-Tsumari Art Triennial, photographers RongRong and inri packed up their family and moved from Beijing to rural Japan, creating timeless, ethereal black and white scenes shot in a 200-year-old house. (At Chambers Fine Art in Chelsea through Aug 20th).
Cayce Zavaglia, Uncle Angelo, one ply cotton, silk, and wool thread on Belgian linen with acrylic, 8.75 x 7.75 inches, 2015.
On the occasion of Sally Mann’s memoir, ‘Hold Still,’ Edwynn Houk Gallery is exhibiting a selection of work by the artist best known for photos of her children. In this picture from 2004, Mann veils our view of her daughter Virginia, whose beauty is nonetheless apparent. (In the 57th Street area through July 10th).
Sally Mann, Virginia #36, gelatin silver enlargement print with varnish, 50 x 40 inches, 2004.
As far as family portraits go, this one is by far one of the strangest I’ve seen, as a matron with a knife in her hair touches a carp’s tongue and father stands by cradling a skull while two boys look on. Wiharso has explained that in his work, tables are meant as meeting places and sites for negotiation; as such, this family has a lot to work through. (At Marc Straus on the Lower East Side through Feb 8th).
Entang Wiharso, Inheritance, graphite, resin, color pigment, thread, steel, life-size installation, 2014.
