Victoria Sambunaris at Yancey Richardson Gallery

Two tiny backpackers could almost go unnoticed in the bottom center of this photograph by Victoria Sambunaris, on view at Yancey Richardson Gallery, if Sambunaris had not framed them so carefully on the curving pathway of Death Valley National Park from her vantage point above.  Though dwarfed by natural surrounds, human presence is unmissable in the artist’s new work focusing on the California desert.  Expecting to encounter these landscapes as wastelands, Sambunaris instead witnessed all manner of human activity from camping caravans to dune buggy riding, made all the more attractive during the pandemic, when she traveled to make this body of work. (On view in Chelsea through Feb 18th).

Victoria Sambunaris, Untitled, (Zabriskie Point), Death Valley National Park, California, 2021. Chromogenic print, 39 x 55 inches.

Tim Gardner at 303 Gallery

‘Great Divide,’ the title of this watercolor by Tim Gardner at 303 Gallery, could refer to U.S. politics or the Rockies; chiefly, it taps into mythologies of the lone wanderer.  German Romantic painter Caspar David Friedrich’s iconic solitary figure on a cliff’s edge comes to mind, now behind the wheel of a gas guzzler and protected by guardrails.  The restorative qualities of nature, experienced particularly during the pandemic, no doubt inspired Gardner.  At the same time, the complexities of contemporary relationships to nature make the image enticing and uncomfortable.  (On view in Chelsea through Aug 13th).

Tim Gardner, Great Divide, watercolor on paper, 15 x 19 7/8 inches, 2021.

Andrew Moore at Yancey Richardson Gallery

American photographer Andrew Moore’s latest series, Dirt Meridian, zeros in on the 100th meridian, a longitudinal line that has demarcated the start of the American West.  In his haunting photos, Moore considers the area ‘lost in time,’ yet at the center of global forces including climate change, energy exploration and more.  (At Chelsea’s Yancey Richardson Gallery through Feb 15th).  

Andrew Moore, Homesteaders Tree, Cherry County, Nebraska, archival pigment print, ed 1 of 5, 46 x 58.25 inches, 2013.

Michael Light at Danziger Gallery

San Francisco-based photographer Michael Light – known for his aerial photographs of the American West – needs considerable distance not just to capture the natural and manipulated landscape but to fit in a train so long it seems like part of the environment.  (At Danziger Gallery through Jan 18th).  

Michael Light, Union Pacific Freight Train Heading West, Near Rock Springs, WY, pigment print, 2007.

Michael Eastman at Barry Friedman Gallery

Only the birds and Jesus are left at the Better Donut Drive In, in one of American photographer Michael Eastman’s photos of seen-better-days small town America.  Nostalgia, sadness and hope come together in a picture with themes as powerful as its color contrasts.  (At Barry Friedman Gallery through Jan 11th.  Check the gallery’s website or call ahead for holiday season opening hours).  

Michael Eastman, Jesus Donut, digital C-print, 60 x 48 inches, 2008.