From the decaying elegance of Cuban houses to austere new apartments in Abu Dhabi, Andrew Moore’s photographs signal the passing of time and cycles of decay and renewal. His latest body of work – on view at Yancey Richardson Gallery in Chelsea – took him to Alabama and Mississippi, where he photographed vestiges of the past like this carefully arranged and artfully neglected collection of bottles in Demopolis, AL. (On view through Feb 9th).
American photographer Andrew Moore’s latest series, Dirt Meridian, zeros in on the 100th meridian, a longitudinal line that has demarcated the start of the American West. In his haunting photos, Moore considers the area ‘lost in time,’ yet at the center of global forces including climate change, energy exploration and more. (At Chelsea’s Yancey Richardson Gallery through Feb 15th).
Andrew Moore, Homesteaders Tree, Cherry County, Nebraska, archival pigment print, ed 1 of 5, 46 x 58.25 inches, 2013.
