A quote from John Cage at the entrance to Kennedy Yanko’s show at Deitch Projects declares that silence doesn’t exist; even if nothing at all can be heard, the sounds of the body’s systems functioning will advance themselves. Yanko’s new sculptures likewise assert the aesthetic potential of humble materials: dried sheets of paint and found metal. In their contrast between smooth and rough surfaces and complementary colors like the green and purple, sculptures like ‘An Ode to Hugs’ (pictured here) are driven by Yanko’s intuitive method and for her, the ‘livingness of her medium.’ (On view in SoHo through April 22nd).
Tag: abstract sculpture
Ryan Sullivan at 125 Newbury
Ryan Sullivan’s abstractions invite viewers on a process of discovery in new work at 125 Newbury; what appear to be relatively straightforward non-representational paintings are in fact complicated images created by both chance and forethought. Sullivan’s working technique is key. Using pigment suspended in industrial grade resin, the artist makes the paintings ‘backward,’ by laying down the marks that will be seen on the surface, then continuing to add on the background layers, eventually moving the piece from its frame once set. As much sculpture as painting, the untitled pieces foreground our own exploration of how to interpret what we’re encountering in each dynamic and complex composition. (On view in Tribeca through Jan 28th).
Susana Solano at Jack Shainman Gallery
Jack Shainman Gallery brings together sculptures from the past twenty-six years by major Spanish artist Susana Solano this month, including these evocative rattan forms, which suggest miniaturized housing (foreground) or a gargantuan thimble (back). (In Chelsea through Jan 11th. Check website for holiday season opening hours.)
Susana Solano, Bura III (foreground), rattan, 2004-2005. Bura II (background), painted iron and rattan, 2001-2005.
Mark di Suvero at Paula Cooper Gallery
Mark di Suvero’s huge new steel sculpture ‘Little Dancer’ at Chelsea’s Paula Cooper Gallery belies its title at 19 x 36 x 15 feet. Still, in comparison to the larger structure, spiraling forms hanging from the larger, angular structure are as graceful as tons of steel can get. (Through June 29th).
Mark di Suvero, Little Dancer, steel, 2010-12.