Stephanie Temma Hier in ‘North by Northeast’ at Kasmin Gallery

The unlikely combination of a snake and carrots and the media of painting and ceramics in Stephanie Temma Hier’s sculpture/painting at Kasmin Gallery both attracts and puzzles.  Hier’s diverse combinations of imagery have included ceramic greyhounds with painted blueberries and sculptural lips enclosing a 2-D image of tulips; generally her juxtapositions prompt consideration of how the natural world has been mediated by human consumption.  Titled ‘At the Root of the Curve,’ this painting links root vegetables to sinuous forms via algebra terminology.  (On view in Chelsea through Aug 13th).

Stephanie Temma Hier, At the Root of the Curve, oil on linen with glazed stoneware sculpture, 67 x 57 inches, 2021.

Li Jingxiong in ‘Referencing Alexander Calder’ at Klein Sun Gallery

In a show dedicated to the legacy of Alexander Calder, Li Jingxiong’s snake skin footballs are a standout. Hung like buoys or a flattened Calder mobile, the balls marry beauty, with their craftsmanship, and danger, with their material. (At Klein Sun Gallery in Chelsea through Oct 7th).

Li Jingxiong, EGOBY, plastic mould and snake skins, 11 3/8 x 6 ¼ inches, 2014-16.

Julius von Bismarck at Marlborough Contemporary

After his recent travels to Central and South America, Berlin-based artist Julius von Bismarck returned with study specimens in the form of dried plants and a snake that have been heated in a huge, custom-built oven and flattened in a 50-ton hydraulic press. Backed on shaped stainless steel, the tongue-in-cheek souvenirs present botanical investigation as art. (On view in Chelsea at Marlborough Contemporary through May 20th).

Julius von Bismarck, installation view of ‘Good Weather’ at Marlborough Contemporary, May, 2017.

Fred Tomaselli at James Cohan Gallery

Brooklyn collage artist Fred Tomaselli’s first New York solo show since 2006 dazzles with images like this bird vs serpent standoff, set in a fiery swirl of red and orange under an improbably colorful night sky. The show also features New York Times front covers with photos altered to equally hallucinogenic effect. (At Chelsea’s James Cohan Gallery through June 14th).

Fred Tomaselli, Penetrators (Large), photo-collage, acrylic, resin on wood panel, 72 x 72 inches, 2012.