Tag: gagosian

Francesca Woodman at Gagosian Gallery

Known for small-scale black and white photographs that focus on her own body in rooms that look uninhabited and neglected, Francesca Woodman has influenced generations of photographers attracted by the ethereal and enigmatic quality of her work and its psychological charge.  In a show of the artist’s photographs from 1975 – 1980 at Gagosian Gallery’s 24th Street Chelsea location, the gallery walls are lined with intimate images, interrupted by the monumental ‘Blueprint for a Temple (II),’ featuring contemporary women as caryatids on an ancient Greek temple.  Notes and additional shots of the Greek key pattern in New York rental apartment bathrooms are positioned around the edge of the partial temple, connecting an ancient sacred space with the modern bathroom, two places Woodman identified as, ‘offering a note of calm and peacefulness.’  (On view through April 27th).

Francesca Woodman, installation view including Blueprint for a Temple (II), 1980. March 2024.

Jennifer Guidi at Gagosian Gallery

Jennifer Guidi wants to share ‘calm and joy’ in her vibrant landscapes and abstractions, she says of paintings now on view at Gagosian Gallery in Chelsea.  Based on views of the hills in LA and in southern France where the artist recently exhibited at the Richard Rogers Drawing Gallery, Guidi uses her signature materials of sand on canvas to depict pleasingly smooth geological forms as a counter to explosive activity in the skies.  Starburst patterns appear in both representational and abstract canvases, spreading color and energy over the landscapes like a shower of beneficence.  (On view through March 2nd).

Jennifer Guidi, Let the Light Fall Gently, sand, acrylic, oil and rocks on linen, 60 x 48 x 1.5 inches, 2023.

Tetsuya Ishida at Gagosian Gallery

Workers are expendable in the alienated world depicted by Japanese artist Tetsuya Ishida in the late artist’s paintings at Gagosian Gallery in Chelsea.  Coming into adulthood in the Japan’s economic depression in the ‘90s, known as the country’s ‘Lost Decade,’ Ishida catalogued the dehumanizing effect of corporate culture in images that depict workers taking in food from nozzles as if in a gas station or emerging from train doors in the form of boxes with heads, ready for delivery and consumption.  Here, in ‘Exercise Equipment,’ a worried looking individual with Ishida’s features runs not for the health benefits, but to keep ahead of the workers poised to yank him from the treadmill.  (On view in Chelsea through Oct 21st).

Tetsuya Ishida, Exercise Equipment, acrylic on board, 1997.

Roy Lichtenstein at Gagosian Gallery

Created for the atrium of the theatrical management agency Creative Arts Agency’s IM Pei designed headquarters in 1989, Roy Lichtenstein’s Bauhaus Stairway Mural dominates a single cavernous room at Gagosian Gallery in Chelsea.  Featuring the artist’s signature Benday dots and primary colors that imitate commercial printing techniques, the painting remakes Oscar Schlemmer’s famous 1932 painting of students at the Bauhaus, the famous pre-WWII German school of art and design.  Though the original was created in response to the Nazi closing of the school, Lichtenstein’s streamlined forms and bright colors on a huge scale suggest a more positive outlook on the upward movement of arts and ideas.  (On view through Dec 22nd).

Roy Lichtenstein, Bauhaus Stairway Mural, oil and magna on canvas, 26 x 5 ¾’ x 17’ x 11 ¾ inches, 1989.

YZ Kami at Gagosian Gallery

Son of a portrait painter, Iranian artist YZ Kami grew up speaking the language of portraiture, but as his art practice matured, the identity of his sitters became less important.  Now on view at Gagosian Gallery in Chelsea, enigmatic paintings of subjects known only to us by a name or descriptive identifier in the title represent specific individuals at close range who nevertheless feel as if they’re at a remove.  Indistinctly painted contours, a deliberate softening of outlines, give each character a sense of existing at another point in time, perhaps as a memory.  Downcast eyes suggest that the inner life is the subject of these intriguing but elusive paintings.  (On view in Chelsea through Feb 25th).

Isaac in Purple Shirt, oil on linen, 58 ½ x 36 inches, 2022.