YZ Kami at Gagosian Gallery

Son of a portrait painter, Iranian artist YZ Kami grew up speaking the language of portraiture, but as his art practice matured, the identity of his sitters became less important.  Now on view at Gagosian Gallery in Chelsea, enigmatic paintings of subjects known only to us by a name or descriptive identifier in the title represent specific individuals at close range who nevertheless feel as if they’re at a remove.  Indistinctly painted contours, a deliberate softening of outlines, give each character a sense of existing at another point in time, perhaps as a memory.  Downcast eyes suggest that the inner life is the subject of these intriguing but elusive paintings.  (On view in Chelsea through Feb 25th).

Isaac in Purple Shirt, oil on linen, 58 ½ x 36 inches, 2022.

Gillian Wearing: Wearing Masks at the Guggenheim Museum

Known for bringing private lives into the public realm through projects like her iconic 1992-3 ‘Signs,’ for which strangers posed with signs sharing their personal thoughts, British conceptual artist Gillian Wearing continues to probe beyond the surface in recent work on view in her career retrospective at the Guggenheim Museum.  Based on mid-to late 19th century French artist Henri Fantin-Latour’s ‘La Lecture (The Reading),’ Wearing’s update includes herself on the left, not just listening to the reading, but gazing intently upon the reader.  Fantin-Latour’s characters famously exist in their private worlds, not always connecting with each other. Wearing, on the other hand, is absorbed by the world inhabited by her companion.  (On view on the Upper East Side through April, ’22).

Gillian Wearing, Me in History – A Conversation with the Work of Fantin-Latour, oil on canvas, 2021.