The screen and the stretcher come crashing together in Jacqueline Humphrey’s new oil paintings featuring characters and numbers. Applied through laser-cut stencils, the thickly textured symbols spread across the canvas like a dense fog, at times arranged to resemble brush strokes. (On view at Greene Naftali Gallery through Dec 16th).
For years, Florian Maier-Aichen stayed dedicated to analogue approaches to photography; his latest digital images – created with Photoshop’s Lasso tool – have the joyful energy of a new convert. (On view at 303 Gallery in Chelsea through Dec 22nd).
Taking the history of painting, particularly 20th century modernism as one major influence, painter Matt Connors shapes color and form into optical experience in new paintings at Canada NY on the Lower East Side. (On view through Dec 10th).
Transparency, an interest in organic forms and a desire to push her materials drove late artist Ruth Asawa’s to create the undulating, hanging wire sculptures, currently on view at David Zwirner Gallery’s 537 West 20th Street location. (On view through Oct 21st).
Kazuko Miyamoto’s ‘Female I’ reclines along the floor of Zuricher Gallery like a taught, transparent odalisque, a shifting combination of representational form and pure abstraction that rethinks minimalism’s relationship to the organic world. (On the Lower East Side through Oct 22nd).