Whitney Oldenburg at Chart Gallery

A sculpture titled ‘Feeding Frenzy’ – three giant chrysalis forms studded with red paper admission tickets – announces Whitney Oldenburg’s first New York solo at Chart Gallery as an energetic and ambitious debut.  In addition to suggestive titles, unusual materials hint at storylines – Feeding Frenzy mixes in ear plugs, helmets to bring to mind a raucous concert. Composed of molds of ‘Feeding Frenzy’ along with row after row of generic acetaminophen, ‘High Tide,’ pictured here, alludes to medicated states.  Also resembling a shell big enough for Venus to arrive on, the sculpture remakes the natural world through human materials as eclectic as lollipop sticks and tiki wall, one of Oldenburg’s idiosyncratic works that beg a closer look. (Gallery opening hours change during the holidays. Check opening hours before visiting.  On view in Tribeca through Jan 6th).

Whitney Oldenburg, High Tide, molds of Feeding Frenzy, metal, clay, lollipop sticks, tiki wall, generic acetaminophen, leather, linen, resin, 60 x 51 x 28 inches, 2023.
Whitney Oldenburg, (detail) High Tide, molds of Feeding Frenzy, metal, clay, lollipop sticks, tiki wall, generic acetaminophen, leather, linen, resin, 60 x 51 x 28 inches, 2023.

 

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)

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