Paulina Olowska at Metro Pictures Gallery

For the last exhibition of its forty-year history, Helene Winer’s and Janelle Reiring’s legendary Metro Pictures Gallery is showcasing new work by Polish artist Paulia Olowska that celebrates exhibition and educational spaces run by women.  This large painting checks in with Seurat’s 1880s scene of Paris leisure, La Grande Jatte, while having been directly inspired by a photo by fashion photographer Deborah Tuberville.  Harnessing imagery meant to encourage consumption, Olowska sells the idea of new creative communities while aiming to increase representation of women in art history.  (On view through Dec 11th in Chelsea.  Masks required).

Paulina Olowska, The School of Archery (after Deborah Tuberville), oil on canvas, 102 3/8 x 82 11/16 inches, 2021.

Matthew Brandt at Yossi Milo Gallery

Selling off unwanted furniture and household decoration takes a new twist in one of Matthew Brandt’s latest series, ‘Rooms,’ at Yossi Milo Gallery, for which he acquired chandeliers, then hot-fused photos of the room in which the chandelier hung to the individual pieces of the chandelier.  Literally bearing witness to their past, the lights feature windows (as seen here), furnishings and other signs of life from the past owner.  In this piece, ‘May’s Living Room,’ pictures of the past environment recall a pointillist painting crossed with a geometric abstraction.  (On view in Chelsea through Dec 11th).

Matthew Brandt, from the series Rooms, May’s Living Room, photographic glass chandelier pieces with painted metal armature, 9 x 16 x 16 inches, 2021.

Ruth Asawa at David Zwirner Gallery

From pattern drawings based on wicker chairs to meticulous renderings of blossoming plants, Ruth Asawa’s artistic practice focused on remarkable elements of everyday life in addition to the hanging wire sculptures for which she is best known.  David Zwirner Gallery’s current exhibition of the late artist’s drawings and sculpture, which includes these ceramic casts of friends and visitors to her home, aims to reveal her integration of art and life inspired by her avant-garde background, busy household and active community. (On view through Dec 18th on 20th Street in Chelsea).

Ruth Asawa, detail installation view of Untitled (LC.014, Collection of Bisque-Fired life Masks from Ruth Asawa’s Home), ceramic, bisque-fired clay, approx. each 7 ½ x 4 ½ x 2 ½ inches, c. 1967-1995.

Jaume Plensa at Galerie Lelong

With eyes closed to suggest inner reflection and heads elongated to convey a sense of spirituality, Jaume Plensa’s contemplative sculptural figures express peace in public places worldwide.  In his latest solo show at Chelsea’s Galerie Lelong, Plensa presents heads that only partly emerge from the alabaster rock from which they are carved.  Collectively titled ‘Nest,’ the new work represents Plensa’s feeling that the brain is like a nest, where dreams are born.  (On view through Dec 23rd).

Jaume Plensa, LUCIA (nest), alabaster, 57.5 x 40.1 x 20.5 inches, 2021.

Helen Pashgian at Lehmann Maupin Gallery

Visitors to Light and Space artist Helen Pashgian’s show of new work at Chelsea’s Lehmann Maupin Gallery are invited to sit on benches to appreciate disk-shaped sculptures that appear to hover over pedestals in the gallery, while other pieces require movement to be appreciated. The second scenario applies with this untitled cast epoxy with formed acrylic sphere, which reveals or conceals bands of color as the visitor moves before it.  Designed to reveal how perception of a single object or phenomenon can shift, Pashgian’s invites viewers to delight in the nuances of seeing.  (On view through Jan 8th).

Helen Pashgian, Untitled, cast epoxy with formed acrylic elements, 7 inches diameter, 2020.