Roger Hiorns at Luhring Augustine

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Known for sculptures that initiate processes that yield attractive results (like an engine block transformed by gorgeous copper sulphate crystals), British artist Roger Hiorns goes for a gritty sci-fi feel in the back gallery at Chelsea’s Luhring Augustine. Compressors pump air through grimy car parts creating billows of soap suds that make these quasi-organic figures appear sentient, if barely. (Through Oct 18th).

Roger Hiorns, installation view at Luhring Augustine Gallery, Chelsea, Sept 2014. All works: Untitled, plastic, compressor, and foam, 2014.

Louise Kruger at Lori Bookstein Fine Art

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Cleverly placed near the gallery entrance, late sculptor Louise Kruger’s bulky ‘Standing Dog’ could –for an instant – be mistaken as a real pet tagging along with gallery visitors. Other charmingly odd wood figures stand out amongst work in fabric and metal by an artist who developed her own unique folk/pop artistic language. (At Chelsea’s Lori Bookstein Fine Art through Oct 4th).

Louise Kruger, Standing Dog, pine, 27 x 16 x 38 inches, c. 1970-75.

David Hockney at Pace Gallery

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New media takes a turn for the traditional in David Hockney’s new series at Pace Gallery, for which his iPad drawings are displayed as prints. Still, the Brit art icon’s colors remain vibrant, transforming the English countryside with fantastical, south-of-France brightness. (At Pace’s 508 West 25th Street space in Chelsea through Nov 1st).

David Hockney, The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 5 May, 2011, iPad drawing printed on paper, 55” x 41 ½”

Roxy Paine at Marianne Boesky Gallery

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A room eighty feet long is condensed into 18 feet in Roxy Paine’s latest uncanny scene from his Diorama series – an airport security checkpoint crafted entirely in maple wood, devoid of humans and presented for contemplation. (At Chelsea’s Marianne Boesky Gallery through October 18th).

Roxy Paine, Checkpoint, maple, aluminum, fluorescent light bulbs, and acrylic prismatic light diffusers, 14 ‘ h x 26’ – 11” w x 18’ – 7 1/2” d, 2014.

Nick Cave at Jack Shainman Gallery

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Nick Cave’s latest body of work – filling both of Jack Shainman’s Chelsea galleries – was inspired when Cave was stunned to find a spittoon in the shape of a African-American man’s head at a flea market. Since then, he’s collected similar figures, like this lawn jockey who recalls the legend of a slave boy who froze to death while holding a lantern for George Washington’s historic Delaware River crossing. Standing on a shoe-shine chair and surrounded by a shrine-like collection of bric-a-brac, Cave repositions an icon from America’s troubled past. (On view through Oct 11th).

Nick Cave, Fear Not, Therefore (detail), mixed media including cast-iron figure, shoe shine chair, ceramic birds, strung beads and metal flowers, 77 x 44 x 30 inches, 2014.