Known for sculptures that initiate processes that yield attractive results (like an engine block transformed by gorgeous copper sulphate crystals), British artist Roger Hiorns goes for a gritty sci-fi feel in the back gallery at Chelsea’s Luhring Augustine. Compressors pump air through grimy car parts creating billows of soap suds that make these quasi-organic figures appear sentient, if barely. (Through Oct 18th).
Roger Hiorns, installation view at Luhring Augustine Gallery, Chelsea, Sept 2014. All works: Untitled, plastic, compressor, and foam, 2014.
Published by
Merrily Kerr
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
View all posts by Merrily Kerr
