Matthew Day Jackson at Pace Gallery

You’ve never seen Yellowstone National Park the way Matthew Day Jackson pictures it in otherworldly new hybrid collages of laser cut metal, wood and plastic at Pace Gallery.  Though the title of this piece, ‘Geyser (after Moran),’ alludes to Thomas Moran’s 19th century watercolor paintings of an erupting spout, Jackson’s version adds multiple, huge planets in the background while emphasizing the desolation of the landscape – even the trees lean away from the explosive force of a rigid plume of escaping water and steam.  Gallery visitors will notice an earthy smell in the air – the artist commissioned ArtOlifaction Lab to create an olfactory experience, asking the scent-makers to imagine that they were aliens who returned home to recreate the sights and smells of the planet.  Through the absence of humans, nebula-like swirls in the sky and toxic colors on land, Jackson posits a post-apocalyptic sci-fi scenario that both entrances and horrifies.  (On view through July 1st in Chelsea).

Matthew Day Jackson, Geyser (after Moran), wood, acrylic paint, urethane plastic, fiberglass, UV pigment, lead, stainless steel frame, 81 ¼ x 57 ¼ x 2 inches, 2023.

Josephine Halvorson at Sikkema Jenkins & Co

Josephine Halvorson can turn the most mundane roadside object, from discarded refuse to aged signage, into an object worthy of contemplation.  In her latest solo show at Sikkema Jenkins & Co titled ‘Unforgotten,’ the Massachusetts-based painter zeros in on remnants from the past, including a tumbleweed, a neglected work bulletin board and this rusted disconnect box.  A pleasingly symmetrical pattern of circular holes coexists with bullet holes, both of which let the late day sunlight pass through to create bright ovals of orange light.  The umber tones in the box and the landscape contrast a cloudless blue sky, adding beauty to a setting that few would value.  (On view in Chelsea through April 22nd).

Josephine Halvorson, Disconnect Box, acrylic gouache on panel, 32 x 26 inches, 2022.