Matthew Day Jackson at Pace Gallery

You’ve never seen Yellowstone National Park the way Matthew Day Jackson pictures it in otherworldly new hybrid collages of laser cut metal, wood and plastic at Pace Gallery.  Though the title of this piece, ‘Geyser (after Moran),’ alludes to Thomas Moran’s 19th century watercolor paintings of an erupting spout, Jackson’s version adds multiple, huge planets in the background while emphasizing the desolation of the landscape – even the trees lean away from the explosive force of a rigid plume of escaping water and steam.  Gallery visitors will notice an earthy smell in the air – the artist commissioned ArtOlifaction Lab to create an olfactory experience, asking the scent-makers to imagine that they were aliens who returned home to recreate the sights and smells of the planet.  Through the absence of humans, nebula-like swirls in the sky and toxic colors on land, Jackson posits a post-apocalyptic sci-fi scenario that both entrances and horrifies.  (On view through July 1st in Chelsea).

Matthew Day Jackson, Geyser (after Moran), wood, acrylic paint, urethane plastic, fiberglass, UV pigment, lead, stainless steel frame, 81 ¼ x 57 ¼ x 2 inches, 2023.

Matthew Day Jackson at Hauser & Wirth Gallery

Inspired by BODIES:  The Exhibition, Brooklyn artist Matthew Day Jackson created his own five-vitrine exploration of the human anatomy at Hauser & Wirth Gallery’s 18th Street space.  In the context of the larger show, which includes dramatic landscapes and references to astronauts and Hiroshima, the artist seems to wonder how one frail form could wield great power.  (Through Oct 19th)  

Matthew Day Jackson, installation view of the sculptures: Skeleton, Veins, Nerves, Muscles, Bartholomew, all 2013, Sept 2013.