Mernet Larsen at James Cohan Gallery

Mernet Larsen continues to break with traditional Western linear perspective in new, irresistibly cheeky canvases at James Cohan Gallery that pay homage to Russian constructivist El Lissitzky.  Larsen explains that decades ago, she broke a taboo by imagining that the early 20th century avant-gardist’s abstractions could be read figuratively.  She takes things a step further here, turning El Lissitzky’s circles bisected by long rectangles into an astronaut floating in front of a planet or a restaurant table attending by a plank-like waiter bearing cocktails.  (On view in Tribeca through Jan 23rd .  Masks and social distancing are required).

Mernet Larsen, Astronaut: Sunrise (after El Lissitzky), acrylic and mixed media on canvas, 49 ½ x 49 inches, 2020.

Anna Ostoya at Bortolami Gallery

Anna Ostoya’s oil paintings of bodies in motion leap, surge forward, jump and float, each canvas presenting a different manner of group movement.  This activity and the presence of protesters in other works in her show at Tribeca’s Bortolami Gallery lends a Futurist-like energy and an urgency to her abstracted scenes.  “I’m trying to get Slap to look violent and fragile and to pull all of the contrasting colors together to slap the eyes,” explains Ostoya in a succinct explanation of this work’s dramatic impact.  (On view through Dec 19th.  Masks and social distancing are required).

Anna Ostoya, Slap, oil on canvas, 75 x 60 inches, 2020.

Serena Stevens at Postmasters Gallery

Now back in her native Iowa to complete an MFA, young painter Serena Stevens conveys contemplative quiet in new, large-scale paintings of domestic environments at Postmasters Gallery.  Cats abound, here, pictured in the panels of a cozy-looking quilt and as stuffed toys.  A pair of cast-off jeans on the bed suggest a quick change rather than an erotic interlude in a painting that explores the psychology of intimate spaces.  (On view in Tribeca through Sept 13th.  Appointments are not necessary, but masks and social distancing are required.)

Serena Stevens, Spare Bed, oil on canvas, 80 x 72 inches, 2020.

Grace Weaver at James Cohan Gallery

New York painter Grace Weaver describes the sidewalk as a stage in a new body of paintings at James Cohan Gallery that showcases young people in awkward situations.  Falling down stairs, exchanging glances or crashing into each other on the street, Weaver’s characters self-consciously deal with what life serves up.  Here, Weaver humorously recreates a romantic meeting scene as two individuals round a corner and crash into each other.  Their immediate intimacy suggests that we know where this story is headed.  (On view Tues – Fri at James Cohan Gallery’s locations on the Lower East Side and in Tribeca by appointment through Sept 12th.  Masks and social distancing required.)

Grace Weaver, Confrontation, oil on canvas, 71 x 69 inches, 2020.

Rebecca Morris at bortolamigallery.com

Exhibition walkthroughs and artist interviews have abounded since the pandemic cut off access to physical gallery spaces, but few videos have been as engaging and personal as Rebecca Morris’ recent Q & As with painter friends at bortolamigallery.com.  The untitled work here from New York Art Tours’ archive (May ’16) prefigures the silver and gold paint and the play between organic and inorganic shapes prominent in her show installed through June at Bortolami Gallery in Tribeca.

Rebecca Morris, Untitled (#02-16), oil and spray paint on canvas, 48 x 48 inches, 2016.