Belgian artist Patrick Van Caeckenbergh’s meticulous drawings resemble photographs but record trees embellished by his imagination into wondrous monstrosities. (At Lehmann Maupin Gallery on the Lower East Side through August 21st).
Patrick Van Caeckenbergh, Drawing of Old Trees during wintry days 2007-2014, pencil and paint on paper, 21.06 x 30.79 inches, 2007 – 2014.
Ajay Kurian’s torture machine for Minions slowly pokes into a plastic toy version of this cheery embodiment of evil, a thought-provoking gesture both absurd and sinister. (At Chelsea’s Derek Eller Gallery through August 21st).
Ajay Kurian, What Should We Do with Our Brains?, toy, steel, Plexiglas, linear actuator, arduino board, magic-sculpt, 14.5 x 14 x 24 inches, 2015.
It might be a stretch to consider this 16th century French illustrated manuscript as a precursor to R. Crumb’s cartoons, as a handout at Paul Kasmin Gallery suggests. Still, its meticulous detail and historical importance make it a knockout in the gallery’s summer group show celebrating the visual qualities of the written word. (In Chelsea through August 14th).
The Hours of Jacques Hurault, Grand Audienier of France, c. 1500-1510, Book of Hours, use of Rome in Latin and French, illuminated manuscript on parchment, bound in French vellum, 6 ¼ x 4 ¼ x 1 ½ inches.
London-based painter Ellen Macdonald snaps her audience to attention by juxtaposing abstraction and figuration in this painting of a hand and a neighboring abstract work composed of looping lines on a vivid orange background. (At Nicelle Beauchene Gallery on the Lower East Side through August 14th).
Ellen Macdonald, Untitled (U include the, wall between and you), oil on linen, 24 x 18 inches, 2015.
When this show at Andrew Edlin Gallery comes down, it’ll do so literally when the building is demolished later this year. In the meantime, the gallery invited seven artists to make environmentally-themed art directly on the walls. Here, gallery artist Brian Adam Douglas riffs on Gericault’s famous early 19th century shipwreck scene, ‘Raft of the Medusa,’ while picturing the dire effects of environmental catastrophe. (In Chelsea through Aug 15th.)
Installation view of ‘Anthems for the Mother Earth Goddess,’ at Andrew Edlin Gallery, June 2015. (Center – mural by Brian Adam Douglas).
