When this show at Andrew Edlin Gallery comes down, it’ll do so literally when the building is demolished later this year. In the meantime, the gallery invited seven artists to make environmentally-themed art directly on the walls. Here, gallery artist Brian Adam Douglas riffs on Gericault’s famous early 19th century shipwreck scene, ‘Raft of the Medusa,’ while picturing the dire effects of environmental catastrophe. (In Chelsea through Aug 15th.)
Installation view of ‘Anthems for the Mother Earth Goddess,’ at Andrew Edlin Gallery, June 2015. (Center – mural by Brian Adam Douglas).
Published by
Merrily Kerr
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
View all posts by Merrily Kerr
