Carol Bove at davidzwirner.com

Fashion, art history and the relationship between works in an exhibition drive the color choices that make Carol Bove’s hybrid sculptures stand out.  Sharp contrasts between aged, found steel and the smooth geometries of urethane-covered forms give pause to consider the relationships between two familiar yet seemingly mismatched materials.  This piece (seen in detail) from the artist’s last major Chelsea solo show at David Zwirner Gallery in ‘16 juxtaposes found steel with urethane-covered steel to create a wonderfully misleading suggestion of pliability.  When a sculpture’s color can make it appear to have a digital effect, Bove’s at her happiest.  She explains this and more on davidzwirner.com where a new on-line exhibition showcases select new works.

Carol Bove, (detail of) Daphne and Apollo, found steel, stainless steel, and urethane paint, 98 x 72 x 61 inches, 2016.

Anish Kapoor at Lisson Gallery

After confronting viewers with visceral, blood-red sculpture in his last New York show, Anish Kapoor is back with a two-venue exhibition bound to seduce his audience.  Front and center in Lisson Gallery’s 24th Street space is Tsunami, a towering stainless steel sculpture that lures visitors in to marvel at the spatial distortions created by the curved metal.  (On view in Chelsea through Dec 20th).

Anish Kapoor, Tsunami, stainless steel, 143 5/8 x 161 3/8 x 133 ¾ inches, 2018.

Jeppe Hein at 303 Gallery

Though Berlin-based Danish artist Jeppe Hein has installed his trademark polished stainless steel panels in large outdoor spaces (notably at Brooklyn Bridge Park in 2015), 303 Gallery’s tiny back space seems uniquely suited to host an intense experience of reality for visitors who see themselves and Hein’s striped paintings cut together in thin strips.  Hein has explained that his stripe paintings represent breathing in and out which sounds meditative, but in this installation is geared to quicken the senses.  (On view in Chelsea through Oct 19th).

Jeppe Hein, Intersecting Circles, high polished stainless steel, 87 3/8 x 85 x 70 inches, 2019.

Charles Ray at Matthew Marks Gallery

In a gallery titled ‘the repair annex,’ two new sculptures by Charles Ray depict mechanics absorbed in their work.  A man squats in a pose reminiscent of Ray’s own kneeling self-portrait from a few years back but also suggesting supplication or rapt attention to a task.  Ray’s meticulous renderings, here in painted steel, can take years to realize and the attention to detail and smooth finish give the piece an elegance and preciousness that connect this subject less to an autobody shop and more to an art history of heroic bodies.  (On view at Matthew Marks Gallery‘s 526 West 22nd Street location in Chelsea through June 16th).

Charles Ray, Mechanic 1 and Mechanic 2 (detail), painted steel, mechanic 2: 21 x 14 ½ x 18 ¾ inches, 2018.

Robert Indiana at Paul Kasmin Gallery

Robert Indiana’s mid-1960s monument to love continues to work its magic on audiences around the world as the artist nears his 90th birthday. Now at Paul Kasmin Gallery, this towering steel sculpture multiplies and magnifies the term in all its myriad understandings. (On view at Paul Kasmin Gallery’s 27th Street location through March 3rd).

Robert Indiana, LOVE WALL, cor-ten steel, 144 x 144 x 48 inches, 1966-2006.