Tomas Saraceno at The Shed

This web is a tiny part of Tomas Saraceno’s current show at The Shed in Hudson Yards, but like the rest of the exhibition, it elicits wonder at the natural world, prompting greater respect for the web of interspecies relationships around us.  Housed behind glass and spot lit from below, webs created by various species of spiders in Saraceno’s Berlin studio demonstrate the arthropods’ ability to communicate and understand the world around them through motion perceived via webs.  Elsewhere in the show, visitors are invited to physically enter a version of a web in the immersive installation ‘Free the Air:  How to hear the universe in a spider/web’ by settling on a web of wire mesh netting to listen to a soundtrack that translates spider movements into sound.  (On view at The Shed through April 17th).

Tomas Saraceno, installation view (detail) of ‘Webs of At-tent(s)ion,’ spider frames, spider silk, carbon fibers, lights, 2020.

 

Ella Kruglyanskaya at Bortolami Gallery

Latvian American artist Ella Kruglyanskaya’s fashion-aware female figures in her current solo show at Bortolami Gallery look as if they’ve been sketched in motion though they’re painted in oil on linen.  ‘Beyond Good and Evil,’ a monumental rendering of a hair clip, doesn’t have quite the same on-the-fly quality but it does look as if it could scramble off the canvas at any moment.  Openings resembling eyes and prongs that look like legs turn a simple accessory into something unexpectedly menacing.  (On view at Bortolami in Tribeca through Dec 18th).

Ella Kruglyanskaya, Beyond Good and Evil, oil on linen, 62 x 66 inches, 2021.

Louise Bourgeois’ ‘Drawings ’47-’07’ at hauserwirth.com

Louise Bourgeois’ spiders may be her best-known work (this image from New York Art Tours’ archives captured a bronze arachnid appearing to scale a wall at the American Museum of Natural History), but for 70-years of the late artist’s career, drawing played a key role in expressing states of mind.  Hauser & Wirth Gallery’s inaugural on-line exhibition features a selection of drawings from 1947-2007 that channel Bourgeois’ unconscious and personal history.

Louise Bourgeois, Spider I, bronze, 50 x 46 x 12 1/4 inches, 1995.