John McCracken: Works from 1963 – 2011 at David Zwirner Gallery

Southern Californian minimalist John McCracken’s retrospective exhibition at David Zwirner Gallery is better seen in person – where sleek objects like this one (hand-crafted from plywood covered in polyester resin & fiberglass) reflect the people, objects and light conditions surrounding them.  But the color contrasts alone between the richly green ‘Minnesota’ in the foreground and the sky blue of ‘On Stream’ in this photo set the mind thinking of nature.   (At the gallery’s 20th Street location through Oct 19th.)

John McCracken, Minnesota (in the foreground), polyester resin, fiberglass and plywood, 1989.  On Stream (background left), polyester resin, fiberglass and plywood, 1998.

Kerry James Marshall at Jack Shainman Gallery

We knew that there was big money in the art world, but Kerry James Marshall makes it explicit with his installation of coins, constructed in brass.  Though the value of the coins adds up to $.99, the piece’s title reveals that fabrication costs were approximately $136,000.  And the selling price?  The gallery “…would prefer to not have that published,” a position that reinforces Marshall’s point that culture and money are entwined, sometimes secretly. (At Chelsea’s Jack Shainman Gallery through Oct 12th).  

Kerry James Marshall, 99 cent piece (One hundred thirty six thousand dollars in change), cast resin with brass overlay, 2012.

Susie MacMurray at Danese Corey Gallery

British artist Susie MacMurray is known for elegant sculptures and installations created by repeated use of one material or form.  At Danese Corey’s new space on 22nd Street in Chelsea, she fashions household gloves into a regal dress, juxtaposing beautiful refinement and hard work (through Oct 12th).  

Susie MacMurray, A Mixture of Frailties, household gloves turned inside out, calico and dress form, 2004/2013.

Barry McGee at Cheim & Read Gallery

These days, San Francisco street art legend Barry McGee is more likely to show his work in galleries and museums than outdoors, but his installation in the back room of Cheim & Read Gallery in Chelsea – a collection of around 400 elements bulging off the wall – pops with a white-cube defying energy.  (Through Oct 26th).  

Barry McGee, Untitled, 400 elements; ink, graphite, acrylic, screenprint, photographs on paper, found objects and frames, 2005-2013.

Julie Becker in ‘Some Dreamers of the Golden Dream’ at GreeneNaftali Gallery

Julie Becker’s mixed media sculpture from 2000 brings a slice of LA into NYC by suggesting a block of West Sunset Blvd complete with weeds, a lost slipper and a drawing advertising a street art competition.  It’s a quirky, anything’s possible kind of city view that’s fast disappearing from Chelsea.  (At Chelsea’s GreeneNaftali Gallery through October 5th.)  

Julie Becker, 1910 West Sunset Blvd, mixed media sculpture, 2000.